PAGE-1/4 PAGE-214 SHANGHAI LIULI CHINA MUSEUM 上海琉璃艺术博物馆 基本信息 Basic Information between China and he world 上海璃艺术博物馆，位干黄浦区泰康路 Shanghai Luli Art Museum,located at No.25 Taka Road.Huar 25号，置邻田子坊，由中国现代琉璃艺术 开创者，脱暗铸造技艺复兴者畅惠姗、张 双共同创办，向世界呈现中国班璃艺八的 Yang Huizhen and Zhang Yi presenting the bril- 光军，同时为国内观者引介世界玻璃艺术 uance of Chinese glass art to the world.The viewer ntroduces the works of the world's glass art mas- 大师作品。作为国内外班璃玻璃艺术交流 ters as a window for the exchange of gass and 的窗口. glass art at home and abroad 身如琉璃内外明彻 The body like a glass is the same inside and outside On the B5m high glass (olass)facade.'grown'two ron net peory fowers,which are composed of 5025 petals,are personally desioned and 精超与生乐指学探付 nlosophical Discussion on Soinit and LHe ving the Chinese style of traditional and odem in6tci n community 作为展览性的开放建，上海璃艺术博物馆的启体设什风格与其主要展品一流璃的特点 十分相低。除馆外主立面大量采用玻璃前斟外，馆内所有的空间，凯吧以琉璃为设什宗百和建 筑体，生动的全释出琉离不仅是材质，创作媒介，更是一种精神与生命的东方哲学思科。 在高8,5的面璃（玻璃）外墙上，“生长”若两朵铁网牡丹花，它由5025片花 As an exhibition-oriented open building the overall design style of the Shanghai Liuli Art Museum is very simiar 静组合而成，是杨惠端亲自设计和年工装配完成的、 to the characteristics ol its main exhibit.the glass.Al the spaces in the pavon are desimned with the purpose of 日天，花影静窗，只偶尔在阳光下呈现院丽的金色（上图） glass and the architectural media.The vivid interpretation of 'glaze'is not only the material,the medum of cre- tion,but also the criental philosophy of spirit and life. 到了夜晚，这珠朵牡丹便烟琉璃制品一般流光芯形量本信息右二图)： 察复的造型对应极简的西方建筑结胸，展现7传统与现代融合的中国风咯，妥到专 业设计界的微赏。PAGE-l/4 um hvL REU , MUSEUM 星用信自 Basic Information 申固与世界IJilIÆi芝加的交流 The window of commun cat between China and the world 上}目前 商芝加博物馆，1II干黄浦区秦 秦路 25 号， mtt 邻田子tñ ，自申国现代 商芝加 开巳11 晋、 ~MI寿懂技艺复兴首脑恿姗、可 毅其罔已11 刷，阳世界呈现申国前丽芝加的 进辉 回日可芥]国内 !l1告司 lfì 世界玻璃芝加 而作吕，作芥]国内 91\HiU商破 离芝卅交流 的窗口。 身如HÎH国内外日月ftn e O U +L AU e-m GJd lE a! qdn eh 05 ym LK 幡思与主命的芭学探 Philosophical scuss on Spirit and Life Shanghai Liuli Museum located at No. 25 Taikang Road, Huangpu District, adjacent to Tianzi fang, was founded by the pioneer of Chinese modern glass art, de-wax casting technology revival Yang Huizhen and Zhang Yi , presenting the bril liance of Chinese glass art to the world. The viewer introduces the works of the world's glass mas ters as a window for the exchange of glass and glass art at home and abroad 乍芦 展览11 生的开ñ~ 建筑，上海市商芝卅懵栩恒的日fmt 十冈脑与宾主要展ô5--HîU菌的特点 十纠阳仙。除恒911 主立面六量采用破 离阳市斗91 ，馆内 pij 育的空 n~^HiU商Ï'l 十宗旨而建 筑照仰 主矶的诠『摆出 '1 坏仅是阳质、自 1{乍照介，更是一制精神与主命的东 气吕学困苦号。 As an exhibition-oriented open building, the overall design style of the Shanghai Liuli Art Museum is very similar to the characteristics of its main exhibit, the glass. All the spaces in the pavilion are des gned th the purpose of glass and the architectural media. The vivid interpretation of 'glaze' is not only the material, the medium of cre￾ation, but also the oriental philosophy of spirit and life