侗戏的当代命运:一个新的视角 戏师口述中的侗戏角色 黄守斌 (兴义民族师范学院,贵州·兴义562400) 摘要:戏剧的危机使得戏剧的当代命运成了戏剧界最受关注的话题。戏剧的危机主 要还是靠戏剧本身来进行救赎,尤其是村落中的少数民族戏剧。侗戏丑角虽属于配角, 实质上具有中心意义的行当,生长侗戏的“戏之特性”。侗戏从根上就是喜剧艺术,回 归喜剧是拯救侗戏的关键所在,而这些民间的智慧主要集中在戏师关于角色的论述中, 尚无人问津。村头的侗戏缺少悲剧性的戏剧精神,但正是如此,通过高扬戏剧中的喜剧 因子,生成戏民。这虽仅是个案,但也是关联着整个中国少数民族戏剧的未来命运 关键词:侗戏;角色;戏师口述;当代命运 The Contemporary Fate of Dong Opera: A New Perspective The role of Dong Opera in the Oral Dictation of the Performers HUANG Shou-bin (Xingyi College for Nationlities, Xingyi, Guizhou 562400, China) Abstract: The crisis of opera makes the contemporary destiny of opera become the most heated issue in the field of drama. To solve the crisis of opera mainly depends on itself, especially on the opera of minority nationalities in villages. Although the clan in Dong opera is a supporting role, in essence, it is a profession of importance, representing and developing the characteristics of Dong opera. Basically, Dong opera is a comedy art. Therefore, returning to comedy is the key to save dong opera, and the folk wisdom is mainly embodied by the erformers' account about the roles, which has never been discussed by documents. Dong opera in village lacks the spirit of tragedy, but it is so, through making full use of the comedic techniques in opera, attracts a lot of fans. This is only a case, but also associated with the fate of the entire Chinese minority operas Key Words: Dong opera; role; the oral diction of the performers; modern fate1 侗戏的当代命运：一个新的视角 ——戏师口述中的侗戏角色 黄守斌 (兴义民族师范学院，贵州·兴义 562400) 摘要：戏剧的危机使得戏剧的当代命运成了戏剧界最受关注的话题。戏剧的危机主 要还是靠戏剧本身来进行救赎，尤其是村落中的少数民族戏剧。侗戏丑角虽属于配角， 实质上具有中心意义的行当，生长侗戏的“戏之特性”。侗戏从根上就是喜剧艺术，回 归喜剧是拯救侗戏的关键所在，而这些民间的智慧主要集中在戏师关于角色的论述中， 尚无人问津。村头的侗戏缺少悲剧性的戏剧精神，但正是如此，通过高扬戏剧中的喜剧 因子，生成戏民。这虽仅是个案，但也是关联着整个中国少数民族戏剧的未来命运。 关键词：侗戏；角色；戏师口述；当代命运 The Contemporary Fate of Dong Opera: A New Perspective ——The Role of Dong Opera in the Oral Dictation of the Performers HUANG Shou-bin (Xingyi College for Nationlities,Xingyi,Guizhou 562400，China) Abstract: The crisis of opera makes the contemporary destiny of opera become the most heated issue in the field of drama. To solve the crisis of opera mainly depends on itself, especially on the opera of minority nationalities in villages. Although the clan in Dong opera is a supporting role, in essence, it is a profession of importance, representing and developing the characteristics of Dong opera. Basically, Dong opera is a comedy art. Therefore, returning to comedy is the key to save Dong opera, and the folk wisdom is mainly embodied by the performers’ account about the roles, which has never been discussed by any academic documents. Dong opera in village lacks the spirit of tragedy, but it is so, through making full use of the comedic techniques in opera, attracts a lot of fans. This is only a case, but also associated with the fate of the entire Chinese minority operas. Key Words: Dong opera; role; the oral diction of the performers; modern fate