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Anthropology of art 19 References Anderson, Richard L.(2000), American Muse: Anthropological Excursions into Art and Bourdieu, Pierre(1984), Distinction: A Social Critique of the Judgment of Taste, Harvard University Press(originally published in French Bourdieu, Pierre and Alain Darbel (1990), The Love of Art: European Art Museums and their Public, Stanford: Stanford University Press(originally published in French in 1969) Coote, Jeremy and Anthony Shelton(eds)(1992), Anthropology, Art and Aesthetics, Oxford Dissanayake, Ellen(1988), What is Art For?, Seattle: University of Washington Press. Dubin, Margaret D.(2001). Native A World. Heider, Karl (1991), Indonesian Cinema: National Culture on Screen, Honolulu: University of Hawaii press. Karp, Ivan and Steven Lavine(eds)(1991), Exhibiting Cultures: The Poetics and Politics of Museum Display, Washington, DC: Smithsonian Institute Press. Landscape of Bali, Princeton, NJ: Princeton University Press. IcNaughton, Patrick(1988), The Mande blacksmiths: Knowledge, Power, and Art in West loomington, IN: Indiana University Press. Morphy, Howard(1991), Ancestral Connections: Art and an Aboriginal System of Knowledge, ago: University of Chicago Press. Mullin, Molly (2001), Culture in the Marketplace er Art and Value in the americam Duke University Press. Myers, Fred R (2001), The Wizards of Oz: Nation Things, san and the production of aboriginal Fine Art, in Fred R. Myers(ed ) The Empire of Things, Santa Fe NM: School of American Research press. Plattner, Stuart(nd ) "Contemporary Art in a Renaissance Setting: The Local Art System in Florence, Italy, manuscript obtainable from the autho Plattner, Stuart(1996), High Art Down Home: An Economic Ethnography of a Local An Plattner, Stuart(1998),A Most us Paradox, The Market for Contemporary Fine Art American Anthropologist, 100(2), 482-93 Price, Sally(1989), Primitive Art in Civilized Places, Chicago: University of Chicago Press. Scoditti, Giancarlo(1990), Kitawa: A Linguistic and Aesthetic Analysis of visual Art in Melanesia. berli Sherzer, Joel(1990), verbal Art in San Blas: Kuna Culture through its Discours Cambridge University Pr Steiner, Chris(1994), African Art in Transit, New York: Spaces, Places, and Fields: Politi st African Trading in New York's Informal Economy, American Anthropologist, 76-89 Stoller, Paul (1999), Jaguar: A Story of Africans in America, Chicago: University of ChicagoReferences Anderson, Richard L. (2000), American Muse: Anthropological Excursions into Art and Aesthetics, Saddle River, NJ: Prentice-Hall. Becker, Howard S. (1982), Art Worlds, Berkeley: University of California Press. Bourdieu, Pierre (1984), Distinction: A Social Critique of the Judgment of Taste, Cambridge: Harvard University Press (originally published in French in 1979). Bourdieu, Pierre and Alain Darbel (1990), The Love of Art: European Art Museums and their Public, Stanford: Stanford University Press (originally published in French in 1969). Coote, Jeremy and Anthony Shelton (eds) (1992), Anthropology, Art and Aesthetics, Oxford: Clarendon Press. Dissanayake, Ellen (1988),What is Art For?, Seattle: University of Washington Press. Dubin, Margaret D. (2001), Native America Collected: The Culture of an Art World, Albuquerque: University of New Mexico Press. Glassie, Henry (1997), Art and Life in Bangladesh, Bloomington, IN: Indiana University Press. Halle, David (1993), Inside Culture: Art and Class in the American Home, Chicago: University of Chicago Press. Heider, Karl (1991), Indonesian Cinema: National Culture on Screen, Honolulu: University of Hawaii Press. Karp, Ivan and Steven Lavine (eds) (1991), Exhibiting Cultures: The Poetics and Politics of Museum Display, Washington, DC: Smithsonian Institute Press. Lansing, J. Stephen (1991), Priests and Programmers: Technologies of Power in the Engineered Landscape of Bali, Princeton, NJ: Princeton University Press. McNaughton, Patrick (1988), The Mande Blacksmiths: Knowledge, Power, and Art in West Africa, Bloomington, IN: Indiana University Press. Morphy, Howard (1991), Ancestral Connections: Art and an Aboriginal System of Knowledge, Chicago: University of Chicago Press. Mullin, Molly (2001), Culture in the Marketplace: Gender, Art and Value in the American Southwest, Durham, NC: Duke University Press. Myers, Fred R. (2001), ‘The Wizards of Oz: Nation, State, and the Production of Aboriginal Fine Art’, in Fred R. Myers (ed.), The Empire of Things, Santa Fe, NM: School of American Research Press. Plattner, Stuart (n.d.), ‘Contemporary Art in a Renaissance Setting: The Local Art System in Florence, Italy’, manuscript obtainable from the author. Plattner, Stuart (1996), High Art Down Home: An Economic Ethnography of a Local Art Market, Chicago: University of Chicago Press. Plattner, Stuart (1998), ‘A Most Ingenious Paradox, The Market for Contemporary Fine Art’, American Anthropologist, 100 (2), 482–93. Price, Sally (1989), Primitive Art in Civilized Places, Chicago: University of Chicago Press. Scoditti, Giancarlo (1990), Kitawa: A Linguistic and Aesthetic Analysis of Visual Art in Melanesis, Berlin: Mouton de Gruyter. Sherzer, Joel (1990), Verbal Art in San Blas: Kuna Culture through its Discourse, Cambridge: Cambridge University Press. Steiner, Chris (1994), African Art in Transit, New York: Cambridge University Press. Stoller, Paul (1996), ‘Spaces, Places, and Fields: Politics of West African Trading in New York’s Informal Economy’, American Anthropologist, 98 (4), 776–89. Stoller, Paul (1999), Jaguar: A Story of Africans in America, Chicago: University of Chicago Press. Anthropology of art 19
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