my back, I did not feel tired at all because of the sweetness of being with her 4. Her skeleton was small and spare, perhaps that was why what would lumpness in another was obesity in her. (from"A Rose for Emily by William Faulkner Maybe that explained why she loo ked obese while in the case of another; the person would simply lump in the eight 5. As soon as you could get out of bed your mother rushed you off to Florence and married you People were rather surprised-they wondered at its being done so quickly; but I thought I knew. I le to say you'd ead of Delphin and me(from Roman Fever"by Edith Wharton) I guessed that you did it because you had a spite against me and wanted to get married before Delphin and me Il. Briefly define three of the following terms. 30% 1. magic realism a kind of modern fiction in which fabulous and fantastical events are included in a narrative that otherwise maintains the 'reliable tone of objective realistic report The term was once applied to a trend in German fiction of the early 1950s, but is now associated chiefly with certain leading novelists of Central and South America, notably Miguel Angel Asturias, Alejo Carpentier, and Gabriel Garcia Marquez. The term has also been extended to works from very different cultures, designating a tendency of the modern novel to reach beyond the confines of realism and draw upon the energies of fable, folktale and myth while retaining a strong contemporary social vance of view The position or vantage-point from which the events of a story seem to be observed and presented to us. The chief distinction usually made between points of view is that between third-person narratives and first-person narratives. A third-person narrator may be omniscient, and therefore show an unrestricted knowledge of the story s events from outside or them; but another kind of third-person narrator may confine our knowledge of events to whatever is observed by a single character or small group of characters, this method being known as "limited point of view. A first-person narrators point of view will normally be restricted to his or her partial knowledge and experience, and therefore will not give us access to other characters'hidden thoughts. Many modern authors have also used multiple point of view, in which we are shown the events from the positions of two or more different characters The intense feeling that an audience goes through while waiting for the outcome of certain events. It basically leaves the reader holding their breath and wanting more information. The2 my back, I did not feel tired at all because of the sweetness of being with her. 4. Her skeleton was small and spare; perhaps that was why what would have been merely plumpness in another was obesity in her. (from “A Rose for Emily” by William Faulkner) Maybe that explained why she looked obese while in the case of another, the person would simply appear plump in the same weight. 5. As soon as you could get out of bed your mother rushed you off to Florence and married you. People were rather surprised – they wondered at its being done so quickly; but I thought I knew. I had an idea you did it out of pique – to be able to say you’d got ahead of Delphin and me. (from “Roman Fever” by Edith Wharton) I guessed that you did it because you had a spite against me and wanted to get married before Delphin and me. II. Briefly define THREE of the following terms. 30% 1. magic realism A kind of modern fiction in which fabulous and fantastical events are included in a narrative that otherwise maintains the ‘reliable’ tone of objective realistic report. The term was once applied to a trend in German fiction of the early 1950s, but is now associated chiefly with certain leading novelists of Central and South America, notably Miguel Angel Asturias, Alejo Carpentier, and Gabriel García Márquez. The term has also been extended to works from very different cultures, designating a tendency of the modern novel to reach beyond the confines of realism and draw upon the energies of fable, folktale and myth while retaining a strong contemporary social relevance. 2. point of view The position or vantage-point from which the events of a story seem to be observed and presented to us. The chief distinction usually made between points of view is that between third-person narratives and first-person narratives. A third-person narrator may be omniscient, and therefore show an unrestricted knowledge of the story’s events from outside or ‘above’ them; but another kind of third-person narrator may confine our knowledge of events to whatever is observed by a single character or small group of characters, this method being known as ‘limited point of view’. A first-person narrator’s point of view will normally be restricted to his or her partial knowledge and experience, and therefore will not give us access to other characters’ hidden thoughts. Many modern authors have also used ‘multiple point of view’, in which we are shown the events from the positions of two or more different characters. 3. suspense The intense feeling that an audience goes through while waiting for the outcome of certain events. It basically leaves the reader holding their breath and wanting more information. The