A STUDY ON AESTHETIC DIMENSIONS OFCHINESE DREAM 1113 looked so weak and disharmony and the trucks turned as moving stone,giving not a least mercy and reply The director designed three different ending to respond the beginning.One of the ending is that the writer was moved by Lily and wrote her story out to find the help from society.Three months later,she got the RMB 80,000 for the operation and went back to Shenzhen.However,their meeting was in the prison.Lily was rested for drug trade and finally she was routed by the reality.She cried:"I had a dream that one day I could open a noodle shop and earned a lot of money,and then became a citizen.Now I have a dream that I would be executed by shooting and hope my baby never knows he has such a mother." The second ending is that Lily gave up the reality.Three months later,the writer went back to Shenzhen and found Lily servicing her old husband.At that time,Lily is not the Lily and she is a person without Utopia and lost her charm.She told the writer that she could find the only way by sacrificing herself.Now she is a citizen. However,is this submissive woman still the Lily from the Northern Plateau? The third ending is even more tragic.Three months later,the writer went to Shenzhen,and brought the good news that the RMB 80.000 was raised.However,Lily told the writer in the tone of coldness that the baby died and she never needed the money at all.The phone was hanged up and leaved us in deep melancholy. "Lost"is a complicated movie and forces us to consider what kind of dream is our dream?What kind of dream is worth us to chase in China? The Responsibility of Literary Critics Let us go back to the Northern Shaan'xi.In May of 1942,during the roughest phase of the war against Japan, Mao Zedong held a conference in Yan'an and delivered a profound speech"Talks at the Yan'an Forum of Literature and Art'”. During the passed 72 years,the understanding and explanation of the speech never keep silent.In fact,as a core document,Chinese Marxists shaped their own theoretical mode.Although this theory involves a pre-maturity,its academic value and historical effects can not be denied. In the year of 2008,not long after American Financial Crisis,the English famous Marxist theorist Terry Eagleton reviewed his life as a literary critic in an interview and reviewed the series of questions referred to the modern development of Marxist literary criticism.These interviews wre published by Verso in the year of 2009 and named as"The Task of the Critic".Eagleton indicated the task of the critic is to serve the common people.It is the feature of Marxist literary theory and criticism to discuss issue of literature at the crisis of the society.The literary criticism should be the conscience of time and it can merge the historical events with the humanities as well as deliver deeper and further analysis. The task of the critic is not only to present the aesthetic form of the literary works,but also to lead and motivate the cultural consciousness and liberation of common people,by analyzing the"aesthetic form"and strengthening positive meaning of public aesthetic activities.In the book of"Walter Benjamin or Towards a Revolutionary Criticism",Terry Eagleton wrote,"The paramountcy of a Marxist critic is to devote into and lead the libration of public culture."As a matter of fact,as early as in 1942,Mao had already thoroughly discuss this issue.He pointed out at the very beginning:"which is our core?I believe our issue basically is a question for people and a question of how to do fulfill it."It is a tough task indeed.For it is referred to a new understanding and attitude of literature and arts.For some intellectuals who profess to be above worldly considerations,the taskA STUDY ON AESTHETIC DIMENSIONS OF “CHINESE DREAM” 1113 looked so weak and disharmony and the trucks turned as moving stone, giving not a least mercy and reply. The director designed three different ending to respond the beginning. One of the ending is that the writer was moved by Lily and wrote her story out to find the help from society. Three months later, she got the RMB 80,000 for the operation and went back to Shenzhen. However, their meeting was in the prison. Lily was rested for drug trade and finally she was routed by the reality. She cried: “I had a dream that one day I could open a noodle shop and earned a lot of money, and then became a citizen. Now I have a dream that I would be executed by shooting and hope my baby never knows he has such a mother.” The second ending is that Lily gave up the reality. Three months later, the writer went back to Shenzhen and found Lily servicing her old husband. At that time, Lily is not the Lily and she is a person without Utopia and lost her charm. She told the writer that she could find the only way by sacrificing herself. Now she is a citizen. However, is this submissive woman still the Lily from the Northern Plateau? The third ending is even more tragic. Three months later, the writer went to Shenzhen, and brought the good news that the RMB 80,000 was raised. However, Lily told the writer in the tone of coldness that the baby died and she never needed the money at all. The phone was hanged up and leaved us in deep melancholy. “Lost” is a complicated movie and forces us to consider what kind of dream is our dream? What kind of dream is worth us to chase in China? The Responsibility of Literary Critics Let us go back to the Northern Shaan’xi. In May of 1942, during the roughest phase of the war against Japan, Mao Zedong held a conference in Yan’an and delivered a profound speech “Talks at the Yan'an Forum of Literature and Art”. During the passed 72 years, the understanding and explanation of the speech never keep silent. In fact, as a core document, Chinese Marxists shaped their own theoretical mode. Although this theory involves a pre-maturity, its academic value and historical effects can not be denied. In the year of 2008, not long after American Financial Crisis, the English famous Marxist theorist Terry Eagleton reviewed his life as a literary critic in an interview and reviewed the series of questions referred to the modern development of Marxist literary criticism. These interviews wre published by Verso in the year of 2009 and named as “The Task of the Critic”. Eagleton indicated the task of the critic is to serve the common people. It is the feature of Marxist literary theory and criticism to discuss issue of literature at the crisis of the society. The literary criticism should be the conscience of time and it can merge the historical events with the humanities as well as deliver deeper and further analysis. The task of the critic is not only to present the aesthetic form of the literary works, but also to lead and motivate the cultural consciousness and liberation of common people, by analyzing the “aesthetic form” and strengthening positive meaning of public aesthetic activities. In the book of “Walter Benjamin or Towards a Revolutionary Criticism”, Terry Eagleton wrote, “The paramountcy of a Marxist critic is to devote into and lead the libration of public culture.” As a matter of fact, as early as in 1942, Mao had already thoroughly discuss this issue. He pointed out at the very beginning: “which is our core? I believe our issue basically is a question for people and a question of how to do fulfill it.” It is a tough task indeed. For it is referred to a new understanding and attitude of literature and arts. For some intellectuals who profess to be above worldly considerations, the task