SANDERS-BRAHMS Helma Publications Nationality: German. Born: Helma Sanders in Emden, Germany, 20 By SANDERS-BRAHMS: articles- November 1940: added her mothers maiden name to her own to differentiate herself from another New german Cinema filmmaker Helke Sander. Education: Studied acting in Hanover, Germany: Misunderstood Mother and Forgotten Father. interview with g studied drama and literature at Cologne University Career: Worked Vincendeau in Monthly Film Bulletin(London), May 1985. as an announcer and interviewer for a Cologne television station. Interview with C Racine in Sequences(Montreal), February 1987 1960s: began directing shorts and documentaries for German televi- Interview with Peter Brunette in Film Quarterly(Berkeley, Califor sion. 1970: directed first feature. Gewelt. 1971: made Erdbeben in nia). Winter 1990 Chile, her first film for the Filmverlag der Autoren, set up by thirteen Sanders-Brahms, Helma, and S. Toubiana, ""Menace a I'est New German Cinema directors as a production and distribution Cahiers du Cinema(Paris), September 1990. erative. 1974 Interview with E. Richter and R. Richter in Film und fernsehen (Berlin), vol 19, no 8/9, 19 Interview with Janine Euvrard, in Cine-Bulles(Montreal), Spring 1994 Films as director and screenwriter: Interview with Erika Richter, in Film und Femsehen (Berlin), vol 25 1970 Angelika Urban, verkauferin, verlobt(Angelika Urban, Sales girl, Engaged)(short) 1971 Gewalt(violence): Die industrielle Reservarmee(The indus On SANDERS-BRAHMS: articles- rial Reserve Army)(doc) 1972 Der angestellte(The Employee) Silberman, M, "Women Filmmakers in West Germany: A Catalog. 1973 Die machine(The Machine)(doc) in Camera Obscura (Los Angeles), Autumn 1980 1974 Die letzten tage von Gomorrah(The Last Days of Gomorrah): Aude. E article in posi tif(Paris), November 1981 975 Unter dem pflaster ist der strand (The Sand under the pavement) Silberman, M ,"Women Working: Women Filmmakers in West 1976 Shirins hochzeit( Shirin's Wedding) Germany: A Catalog(Part 2), in Camera Obscura(Los Ange 1977 Heinrich es), Fall 1983 1980 Deutschland bleich mutter(Germany, Pale Mother)(+ pr) Article in Film a Doba(Prague), June 1985 Vringsveedeler iriptichon(The Vringsveedel Tryptych)(doc) Bammer, A, Through a Daughters Eyes: Helma Sanders-Brahms's 1981 Die beruhrte(No Mercy No Future: No Exit No Panic)(+ pr, Germany, Pale Mother, in New German Critique, Fall 198 costumes, makeup) Fjordholm, H, article in Z Filmtidsskrift(Oslo), vol. 4, no. 5, 1986 1984 Flugel und fesseln(L'Avenir d'Emilie; The Future of Emil Desjardins, M, Germany, Pale Mother and the Maternal: Toward 1986 Lapu a Feminist Spectatorship, " in Spectator, vol. 8, no. 1, 1987 1987 Felix(co-dir) Elsaesser. T."Public Bodies and Divided Selves: German Women 1988 Geteilte liebe(Divided Love; Manoever)(+ pr) Filmmakers in the 1980s, in Monthly Film Bulletin (London) 1992 Apfelbaume(Apple Trees) December 1987 1995 Lumiere et compagnie(Lumiere and Company)(short Hyams, B,""Is the Apolitical Woman at Peace? A Reading of the Lumiere film) Fairy Tale in Germany, Pale Mother, in Wide Angle(Baltimore 1995 Jetzt leben-Juden in berlin Maryland), vol. 10. no. 3, 1988 997 Mein Herz-Niemande!(My Heart Is Mine Alone)(+ pr) Kinder, M,""ldeological Parody in the New German Cinema: 2000 Clara(+ co-sc) Reading The State of Things, The Desire of veronika Voss, and Germany, Pale Mother as Postmodemist Rewritings of The Search- ers, Sunset boulevard, and Blonde venus, in Quarterly Review Other films: of Film and Video vol. 12. no. 1/2, 1990. Kindred, Jack, ""German Helmer Quits Fest over Y ank Invasion, in Der Subjektive Faktor(role) Variery(New York), 14 February 1990 The Night of the Filmmakers(appearance) Euvrard, J., in Cine-Bulles(Montreal), no 2, 1994 859859 SANDERS-BRAHMS, Helma S Nationality: German. Born: Helma Sanders in Emden, Germany, 20 November 1940; added her mother’s maiden name to her own to differentiate herself from another New German Cinema filmmaker, Helke Sander. Education: Studied acting in Hanover, Germany; studied drama and literature at Cologne University. Career: Worked as an announcer and interviewer for a Cologne television station, 1960s; began directing shorts and documentaries for German televi￾sion, 1970; directed first feature, Gewelt, 1971; made Erdbeben in Chile, her first film for the Filmverlag der Autoren, set up by thirteen New German Cinema directors as a production and distribution cooperative, 1974. Films as Director and Screenwriter: 1970 Angelika Urban, verkauferin, verlobt (Angelika Urban, Sales￾girl, Engaged) (short) 1971 Gewalt (Violence); Die industrielle Reservarmee (The Indus￾trial Reserve Army) (doc) 1972 Der angestellte (The Employee) 1973 Die machine (The Machine) (doc) 1974 Die letzten tage von Gomorrah (The Last Days of Gomorrah); Erdbebenin Chile (Earthquake in Chile) 1975 Unter dem pflaster ist der strand (The Sand under the Pavement) 1976 Shirins hochzeit (Shirin’s Wedding) 1977 Heinrich 1980 Deutschland bleiche mutter (Germany, Pale Mother) (+ pr); Vringsveedeler triptichon (The Vringsveedel Tryptych) (doc) 1981 Die beruhrte (No Mercy No Future; No Exit No Panic) (+ pr, costumes, makeup) 1984 Flugel und fesseln (L’Avenir d’Emilie; The Future of Emily) 1986 Laputa 1987 Felix (co-dir) 1988 Geteilte liebe (Divided Love; Manoever) (+ pr) 1992 Apfelbaume (Apple Trees) 1995 Lumière et compagnie (Lumière and Company) (short Lumière film) 1995 Jetzt leben—Juden in Berlin 1997 Mein Herz—Niemandem! (My Heart Is Mine Alone) (+ pr) 2000 Clara (+ co-sc) Other Films: 1981 Der Subjektive Faktor (role) 1995 The Night of the Filmmakers (appearance) Publications By SANDERS-BRAHMS: articles— ‘‘Misunderstood Mother and Forgotten Father,’’ interview with G. Vincendeau in Monthly Film Bulletin (London), May 1985. Interview with C. Racine in Sequences (Montreal), February 1987. Interview with Peter Brunette in Film Quarterly (Berkeley, Califor￾nia), Winter 1990. Sanders-Brahms, Helma, and S. Toubiana, ‘‘Menace a l’est,’’ in Cahiers du Cinéma (Paris), September 1990. Interview with E. Richter and R. Richter in Film und Fernsehen (Berlin), vol. 19, no. 8/9, 1991. Interview with Janine Euvrard, in Ciné-Bulles (Montreal), Spring 1994. Interview with Erika Richter, in Film und Fernsehen (Berlin), vol. 25, no. 2, 1997. On SANDERS-BRAHMS: articles— Silberman, M., ‘‘Women Filmmakers in West Germany: A Catalog,’’ in Camera Obscura (Los Angeles), Autumn 1980. Aude, F., article in Positif (Paris), November 1981. Silberman, M., ‘‘Women Working: Women Filmmakers in West Germany: A Catalog (Part 2),’’ in Camera Obscura (Los Ange￾les), Fall 1983. Article in Film a Doba (Prague), June 1985. Bammer, A., ‘‘Through a Daughter’s Eyes: Helma Sanders-Brahms’s Germany, Pale Mother,’’ in New German Critique, Fall 1985. Fjordholm, H., article in Z Filmtidsskrift (Oslo), vol. 4, no. 5, 1986. Desjardins, M., ‘‘Germany, Pale Mother and the Maternal: Toward a Feminist Spectatorship,’’ in Spectator, vol. 8, no. 1, 1987. Elsaesser, T., ‘‘Public Bodies and Divided Selves: German Women Filmmakers in the 1980s,’’ in Monthly Film Bulletin (London), December 1987. Hyams, B., ‘‘Is the Apolitical Woman at Peace? A Reading of the Fairy Tale in Germany, Pale Mother,’’ in Wide Angle (Baltimore, Maryland), vol. 10, no. 3, 1988. Kinder, M., ‘‘Ideological Parody in the New German Cinema: Reading The State of Things, The Desire of Veronika Voss, and Germany, Pale Mother as Postmodernist Rewritings of The Search￾ers, Sunset Boulevard, and Blonde Venus,’’ in Quarterly Review of Film and Video vol. 12, no. 1/2, 1990. Kindred, Jack, ‘‘German Helmer Quits Fest over Yank Invasion,’’ in Variety (New York), 14 February 1990. Euvrard, J., in Ciné-Bulles (Montreal), no. 2, 1994