Channel Nine found a way to make its"cowboys and the stupid molls who worship them"penchantwork with the Underbellyseries but the same approach doesnt cut it with characters were supposed to lick for more photos GOOD AND BAD TV ROLE MODELS The function of women on Rescue: Special Ops and Cops L.A.C. is to remind us how irresistible the male characters are. The women are either enslaved by their feelings for them, flattered by their sexist comments or putting their devotion before the public theyre supposed to protect. Despite the traumas the guest female characters may have endured, they always have the presence of mind to proposition their While the females in Nine's dramas apologise for feminism, their counterparts on Ten s Rush don't apologise for anything. Theyre impossible to relate to because they've been stripped of too many sympathetic female traits, such as self-control and warmth, as though these qualities are something to be Meanwhile Offsprings Nina Proudman is a ditz who puts her obsession for a man before everything including her patients, which -terrifyingly-include babies The producers of the ABC's new drama Rake would seem to be making their show for the Breaking Bad and Mad Men audience but they ' ve forgotten that the women in those shows have a sense of self that brings out the best in the men. The women in Rake are spineless and so, by association, is its hero, Cleaver Greene p operas attract such an im responsible with the messages they send. The women on Neighb under the control of men. On Home and Away, a woman 's greatest achievement seems to be to have a guy. Any gChannel Nine found a way to make its "cowboys and the stupid molls who worship them" penchant work with the Underbelly series but the same approach doesn't cut it with characters we're supposed to identify with. Click for more photos GOOD AND BAD TV ROLE MODELS The function of women on Rescue: Special Ops and Cops L.A.C. is to remind us how irresistible the male characters are. The women are either enslaved by their feelings for them, flattered by their sexist comments or putting their devotion before the public they're supposed to protect. Despite the traumas the guest female characters may have endured, they always have the presence of mind to proposition their spunky male rescuers. While the females in Nine's dramas apologise for feminism, their counterparts on Ten's Rush don't apologise for anything. They're impossible to relate to because they've been stripped of too many sympathetic female traits, such as self-control and warmth, as though these qualities are something to be ashamed of. Meanwhile Offspring's Nina Proudman is a ditz who puts her obsession for a man before everything, including her patients, which – terrifyingly – include babies. The producers of the ABC's new drama Rake would seem to be making their show for the Breaking Bad and Mad Men audience but they've forgotten that the women in those shows have a sense of self that brings out the best in the men. The women in Rake are spineless and so, by association, is its hero, Cleaver Greene. Soap operas attract such an impressionable and unsupervised audience that they need to be more responsible with the messages they send. The women on Neighbours are currently weak, needy and under the control of men. On Home and Away, a woman's greatest achievement seems to be to have a guy. Any guy