Journal of Literature and Art Studies,December 2015,Vol.5,No.12.1107-1114 doi:10.17265/2159-5836/2015.12.001 DAVD PUBLISHING No Dream,No Future:A Study on Aesthetic Dimensions of"Chinese Dream"and the Task of Literary Critics" WANG Jie Shanghai Jiao Tong University,Shanghai,China This article believes that"Chinese Dream"has three dimensions:First,"Chinese Dream"is the inevitable demands of Chinese reconstruction and it is the deepest desire of Chinese nation since the Chinese modern history.Second, the modernism of socialism with Chinese feature is the process of Chinese modernism.Third,the third theoretical dimension,I believe,is the ideal of socialism.I would like to take the film"Lost"and"Peking Monk"as examples and analyze the specific form of expression.This article is going to indicate in the end that"the revolution of aesthetics"and the assignments of critics,which can be recognized as the intuitive ability,could merge the historical affair and the human nature,which literature comprise,together and deliver deeper analyses and appraise. The mission of critics is not only to distinctly emerge the aesthetic form of the literal works,but also analyze and seize the "aesthetic form"of them,that is to say,their mission is to find the aesthetic meanings of aesthetic expression from commonage in order to achieve the goal of leading and stimulating people ensuing the consciousness and liberation of culture.That is the most important mission and responsibility of Marxist literal criticism and literal critics.This is a rather tough task and refers to the new understanding and attitude to the relative questions of literature and culture.In the eyes of some self-complacent intellectuals,the responsibility for literature and critics is the"aesthetic entertainment"and"spiritual redemption".The significance of Marxist Aesthetics lies in that it upgrades the general"literal principle"and"aesthetic principle"in to a level of social development and national deliverance,and also it regards whether the literature having the function of cultural libration as the more pivotal content.The assignment for the critics and litterateurs is to engage and promote the production and promulgate for this significance,the cultural consciousness and liberation Kewwords:Chinese dream,aesthetic dimensions,the revolution of aesthetics,cultural libration The Three Dimensions of Chinese Dream This September,I went to Yan'an.We visited Fenghuang Mount,Yangjia Ridge,Qingliang Mount,Zao Yard and Wangjia Plain,which were the place of life and work for the top leader of the Central Party.We also went to Nanji Gulf and Hukou Waterfall of Yellow River and gained a deeper and more thorough understanding Acknowledgements:This paper was funded by:(1)the project"Chinese Contemporary Idea of Tragedy"and its Development", the number of the funding project is 14AZW004;(2)China National Find of Social Sciences "the Research of Fundamental Problems of the Contemporary Aesthetic and Criticism Forms"(15ZDB023). WANG Jie is a distinguished professor in the School of Humanities,Shanghai Jiao Tong University.His research field covers Marxism aesthetics and cultural theory,aesthetic ideology,aesthetic illusion and the anthropology of aesthetics.Journal of Literature and Art Studies, December 2015, Vol. 5, No. 12, 1107-1114 doi: 10.17265/2159-5836/2015.12.001 No Dream, No Future: A Study on Aesthetic Dimensions of “Chinese Dream” and the Task of Literary Critics WANG Jie Shanghai Jiao Tong University, Shanghai, China This article believes that “Chinese Dream” has three dimensions: First, “Chinese Dream” is the inevitable demands of Chinese reconstruction and it is the deepest desire of Chinese nation since the Chinese modern history. Second, the modernism of socialism with Chinese feature is the process of Chinese modernism. Third, the third theoretical dimension, I believe, is the ideal of socialism. I would like to take the film “Lost” and “Peking Monk” as examples and analyze the specific form of expression. This article is going to indicate in the end that “the revolution of aesthetics” and the assignments of critics, which can be recognized as the intuitive ability, could merge the historical affair and the human nature, which literature comprise, together and deliver deeper analyses and appraise. The mission of critics is not only to distinctly emerge the aesthetic form of the literal works, but also analyze and seize the “aesthetic form” of them, that is to say, their mission is to find the aesthetic meanings of aesthetic expression from commonage in order to achieve the goal of leading and stimulating people ensuing the consciousness and liberation of culture. That is the most important mission and responsibility of Marxist literal criticism and literal critics. This is a rather tough task and refers to the new understanding and attitude to the relative questions of literature and culture. In the eyes of some self-complacent intellectuals, the responsibility for literature and critics is the “aesthetic entertainment” and “spiritual redemption”. The significance of Marxist Aesthetics lies in that it upgrades the general “literal principle” and “aesthetic principle” in to a level of social development and national deliverance, and also it regards whether the literature having the function of cultural libration as the more pivotal content. The assignment for the critics and litterateurs is to engage and promote the production and promulgate for this significance, the cultural consciousness and liberation. Keywords: Chinese dream, aesthetic dimensions, the revolution of aesthetics, cultural libration The Three Dimensions of Chinese Dream This September, I went to Yan’an. We visited Fenghuang Mount, Yangjia Ridge, Qingliang Mount, Zao Yard and Wangjia Plain, which were the place of life and work for the top leader of the Central Party. We also went to Nanji Gulf and Hukou Waterfall of Yellow River and gained a deeper and more thorough understanding  Acknowledgements: This paper was funded by: (1) the project “Chinese Contemporary Idea of Tragedy” and its Development”, the number of the funding project is 14AZW004; (2) China National Find of Social Sciences “the Research of Fundamental Problems of the Contemporary Aesthetic and Criticism Forms”(15ZDB023). WANG Jie is a distinguished professor in the School of Humanities, Shanghai Jiao Tong University. His research field covers Marxism aesthetics and cultural theory, aesthetic ideology, aesthetic illusion and the anthropology of aesthetics. D DAVID PUBLISHING