3.1.1字体设计的相关概念 THE ENGLISH RENAISSANCE OF ART 2.字体排印学typography Literature must rest always on a principle.and temporal considerations are no principle at all,For to the poet all 又称为文字设计，是通过排版使得文字易认 times and places are one:the stuff he deals with is eternal and etemally the same:no theme is inept,no past or pres 可读和优美的技艺。 ent preferable.The steam whistle will not affright himno the flutes of Arcadia weary him:for him there is but one time,the artistic moment:but one law,the law of form: 排版，即安排活字的方式，包括字体与字号的 but one land,the land of Beauty-a land removed indeed 选取、栏宽与行高的设定以及字距的调整等。 from the real world and yet more sensuous because more enduring:calm.yet with that calm which dwells in the 在西方设计领域，这顷技艺常常被喻为“二维 faces of the Greek statues,the calm which comes not from the rejection but from the absorption of passion.the calm which despair and sorrow cannot disturb but intensify only. 的建筑”。 And so it comes that he who seems to stand most remote from his age is he who mirrors it best,because he has stripped life of what is accidental and transitory,stripped 字体排印：把字编排成词、行、段的形式、 it of that“m年对familiarity which州akes life obscure to us”. 过程、技巧。 rat from TH ENGLISH RENAISSANC重OFAT,yON世W frt delivered asalr at Chickering Hall.Now York.Jary9.6