FILMS. 4th EDItION UNFORGIVEN Belgrade at the time when Serbia was at war with his own Bingham, Dennis, Acting Male: Masculinities in the Films of James Sarajevan director like Kusturica was committing an act of betrayal. Stuart, Jack Nicholson, and Clint Eastwood, Piscataway, 1994 Many in his native Bosnia denounced him as an intellectual traitor Gallafent, Edward, Clint Eastwood: Filmmaker and Star, New who had taken the side of the aggressor. The media noise was York. 1994 significant, but the debate remained quite cryptic for larger audiences. Knapp, Laurence F, Directed by Clint Eastwood: Eighteen Films The director was so upset by the controversy that he declared Analyzed. Jefferson. 1996 a withdrawal from filmmaking-a promise which he did not keep. He Munn, Michael, Gene Hackman, London, 1997. returned to cinema soon thereafter and continued shooting in Serbia O' Brien. Daniel, Clint Eastwood: Film-Maker, North Pomfret. 1997 Articles: -Dina yordanova McCarthy, Todd, Variety(New York), 3 August 1992 Merrick, H, and P Ortoli, ''Le survivant d un monde englouti, in THE UNFAITHFUL WIFE Revue du Cinema(Paris), September 1992 Jameson, R. T, and H Sheehan, ""Deserves got nothin'to do with See LA FEMmE InFidele it, in Film Comment(New York), September-October 1992. Combs, R, and others, "Shadowing the hero, in Sight and Sound (London ), October 1992 UNFORGIVEN Coursodon, J P, and M. Henry, Positif(Paris), October 1992. Jousse, T, and C. Nevers, Cahiers du Cinema(Paris), October 1992. Boutroy, P, Sequences(Montreal), November 1992. USA,1992 Pawelczak, A, Films in Review(New York). November-Decem- ber1992. Director: clint eastwood Tesson, C,"Laventure interieure in Cahiers du Cinema(Paris) December 1992 Production: Warner Bros. Technicolour, Panavision; running time: Dowell, P, Cineaste(New York),1992 31 minutes. Filmed on location in Alberta, Canada. Horguelin, T, ""L'eternel retour, ' in 24 Images(Montreal),Decem- ber-January 1993 Producer: Clint Eastwood; executive producer: David Valdes Tibbets, J. C, "" Clint Eastwood and the Machinery of Violence, in screenplay: David Webb Peoples: photography: Jack N. Green Literature/Film Quarterly(Salisbury, Maryland), January 1993 editor: Joel Cox. assistant directors: Scott Maitland. Bill Bannerman Wilson, M. H, "The Perfect Subject for the Final Western, Grant Lucibello, and Tom Rooker: production design: Henry Cinema Papers(Melbourne), January 1993 Bumstead: art director: Rick Roberts and Adrian Gorton: music: Greenberg, H.R., Film Quarterly(Berkeley), Spring 1993 Lennie Niehaus; sound editors: Neil Burrow, Gordon Davidson, Witteman, Paul,"Go Ahead, Make My Career, in Time(New Marshall Winn, Butch Wolf, Cindy marty, James Isaacs, and Karen York), 5 August 1993 G. Wilson; sound recording: Rob Young, Michael Evje, and Bobby Grenier, Richard, Clint Eastwood Goes PC, in Commentary, vol Fernandez: costumes: Valerie o'Brien 97. no. 3. March 1994 Beard, William, "Unforgiven and the Uncertainties of the heroic, Cast: Clint Eastwood (William Munny); Gene Hackman(Little Bill): Canadian Journal of Film Studies(Ottawa), vol. 3, no. 2 Morgan Freeman(Ned Logan); Richard Harris(English Bob); Jaimz Autumn 1994 Woolvett(Schofield Kid): Saul Rubinek(Ww. Beauchamp); Frances Engel, L, Rewriting Western Myths in Clint Eastwood,'s New Old Fisher(Strawberry Alice); Anna Thompson(Delilah Fitzgerald) Western. in Western American Literature. vol 29, no 3, 1994 David Mucci(Quick Mike). Kelley, Susan M, and Armando J Prats, Giggles and Guns: The Phallic Myth in Unforgiven/Back from the Sunset: The Western Awards: Oscars for Best Picture, Best Director, Best Supportin Eastwood Hero, and Unforgiven, in Journal of Film and Actor(Hackman), Best Cinematography, and Best Editing, 1992 Video(Atlanta), vol. 47, no. 1-3, Spring- Fall 1995 Deloria P J. "Title: America. in American Historical Review, vol l1,no.5,1995 Premiere(Boulder), vol 9, July 1996 Publications Ingrassia, Catherine "Im Not Kicking, I'm Talking: Discursive Economies in the Western, in Film Criticism(Meadville), vol Books 20, no. 3, Spring 1996. McCarthy, T, in Premiere(Boulder), vol. Il, October 1997 Smith. Gus Richard Harris: Actor by accident. 1990. 1999. grassia. Catherine "Writing the West Iconic and literal Truth in Zmijewsky, Boris, and Lee Pfeiffer, The Films of Clint Eastwood, Unforgiven, in Literature/Film Quarterly(Salisbury ) voL. 26, New York. 1993 no. 1, January 1998 1261FILMS, 4 UNFORGIVEN th EDITION 1261 Belgrade at the time when Serbia was at war with his own native land, a Sarajevan director like Kusturica was committing an act of betrayal. Many in his native Bosnia denounced him as an intellectual traitor who had taken the side of the aggressor. The media noise was significant, but the debate remained quite cryptic for larger audiences. The director was so upset by the controversy that he declared a withdrawal from filmmaking—a promise which he did not keep. He returned to cinema soon thereafter and continued shooting in Serbia and internationally. —Dina Iordanova THE UNFAITHFUL WIFE See LA FEMME INFIDELE UNFORGIVEN USA, 1992 Director: Clint Eastwood Production: Warner Bros.; Technicolour, Panavision; running time: 131 minutes. Filmed on location in Alberta, Canada. Producer: Clint Eastwood; executive producer: David Valdes; screenplay: David Webb Peoples; photography: Jack N. Green; editor: Joel Cox; assistant directors: Scott Maitland, Bill Bannerman, Grant Lucibello, and Tom Rooker; production design: Henry Bumstead; art director: Rick Roberts and Adrian Gorton; music: Lennie Niehaus; sound editors: Neil Burrow, Gordon Davidson, Marshall Winn, Butch Wolf, Cindy Marty, James Isaacs, and Karen G. Wilson; sound recording: Rob Young, Michael Evje, and Bobby Fernandez; costumes: Valerie O’Brien. Cast: Clint Eastwood (William Munny); Gene Hackman (Little Bill); Morgan Freeman (Ned Logan); Richard Harris (English Bob); Jaimz Woolvett (Schofield Kid); Saul Rubinek (W. W. Beauchamp); Frances Fisher (Strawberry Alice); Anna Thompson (Delilah Fitzgerald); David Mucci (Quick Mike). Awards: Oscars for Best Picture, Best Director, Best Supporting Actor (Hackman), Best Cinematography, and Best Editing, 1992. Publications Books: Smith, Gus, Richard Harris: Actor by Accident, 1990, 1999. Zmijewsky, Boris, and Lee Pfeiffer, The Films of Clint Eastwood, New York, 1993. Bingham, Dennis, Acting Male: Masculinities in the Films of James Stuart, Jack Nicholson, and Clint Eastwood, Piscataway, 1994. Gallafent, Edward, Clint Eastwood: Filmmaker and Star, New York, 1994. Knapp, Laurence F., Directed by Clint Eastwood: Eighteen Films Analyzed, Jefferson, 1996. Munn, Michael, Gene Hackman, London, 1997. O’Brien, Daniel, Clint Eastwood: Film-Maker, North Pomfret, 1997. Articles: McCarthy, Todd, Variety (New York), 3 August 1992. Merrick, H., and P. Ortoli, ‘‘Le survivant d’un monde englouti,’’ in Revue du Cinéma (Paris), September 1992. Jameson, R. T., and H. Sheehan, ‘‘Deserve’s got nothin’ to do with it,’’ in Film Comment (New York), September-October 1992. Combs, R., and others, ‘‘Shadowing the Hero,’’ in Sight and Sound (London), October 1992. Coursodon, J. P., and M. Henry, Positif (Paris), October 1992. Jousse, T., and C. Nevers, Cahiers du Cinéma (Paris), October 1992. Boutroy, P., Séquences (Montreal), November 1992. Pawelczak, A., Films in Review (New York), November-Decem￾ber 1992. Tesson, C., ‘‘L’aventure intérieure,’’ in Cahiers du Cinéma (Paris), December 1992. Dowell, P., Cineaste (New York), 1992. Horguelin, T., ‘‘L’étérnel retour,’’ in 24 Images (Montreal), Decem￾ber-January 1993. Tibbets, J. C., ‘‘Clint Eastwood and the Machinery of Violence,’’ in Literature/Film Quarterly (Salisbury, Maryland), January 1993. Wilson, M. H., ‘‘The Perfect Subject for the Final Western,’’ in Cinema Papers (Melbourne), January 1993. Greenberg, H. R., Film Quarterly (Berkeley), Spring 1993. Witteman, Paul, ‘‘Go Ahead, Make My Career,’’ in Time (New York), 5 August 1993. Grenier, Richard, ‘‘Clint Eastwood Goes PC,’’ in Commentary, vol. 97, no. 3, March 1994. Beard, William, ‘‘Unforgiven and the Uncertainties of the Heroic,’’ in Canadian Journal of Film Studies (Ottawa), vol. 3, no. 2, Autumn 1994. Engel, L., ‘‘Rewriting Western Myths in Clint Eastwood’s New ‘Old Western,’’’ in Western American Literature, vol. 29, no. 3, 1994. Kelley, Susan M., and Armando J. Prats, ‘‘Giggles and Guns: The Phallic Myth in Unforgiven/Back from the Sunset: The Western, the Eastwood Hero, and Unforgiven,’’ in Journal of Film and Video (Atlanta), vol. 47, no. 1–3, Spring-Fall 1995. Deloria, P. J., ‘‘Title: America,’’ in American Historical Review, vol. 11, no. 5, 1995. Premiere (Boulder), vol. 9, July 1996. Ingrassia, Catherine, ‘‘‘I’m Not Kicking, I’m Talking’: Discursive Economies in the Western,’’ in Film Criticism (Meadville), vol. 20, no. 3, Spring 1996. McCarthy, T., in Premiere (Boulder), vol. 11, October 1997. Ingrassia, Catherine, ‘‘Writing the West: Iconic and Literal Truth in Unforgiven,’’ in Literature/Film Quarterly (Salisbury), vol. 26, no. 1, January 1998