for her physical charm,her external beauty.The flowers,the dew,the moonlight,the green grass are just beautiful to him. Sometimes,too,he personifies the objects ofnature and calls them by their mythological names.The moon is Cynthiato him the sun is Apollo,there are Dryads in the woods and Naiads in streams and springs,the dawn becomes Auroraand so on.His observation ofnature is very keen and he gives us detailed pictures ofnature. His pictorial quality Keats is one ofthe greatest word-painters in English poetry. 10 Each picture that he gives is remarkable for its vividness and minuteness ofdetails.His images are concreteand are impressed upon our minds.In the Ode to Autumn,for instance,Autumn has been pictured in theconcrete figures ofthe reaper,the winnower the gleaner etc.Keats also has the gift of giving life to inanimate objects while picturingthem.In The Eve ofSt.Agnes he represents the statues ofkings and queens as feeling cold,and refers to the carved angels as eager-eyed"and as staring.The statues and carvings have been given life.Again,many ofhis picturesare colourful.For sheer colour,the image ofthe diamonded window-panes dyed withsplendid colours in Thefor her physical charm, her external beauty. The flowers, the dew, the moonlight, the green grass are just beautiful to him. Sometimes, too, he personifies the objects of nature and calls them by their mythological names. The moon is Cynthia to him, the sun is Apollo, there are Dryads in the woods and Naiads in streams and springs, the dawn becomes Aurora and so on. His observation of nature is very keen and he gives us detailed pictures of nature. His pictorial quality Keats is one of the greatest word-painters in English poetry. Each picture that he gives is remarkable for its vividness and minuteness of details. His images are concrete and are impressed upon our minds. In the Ode to Autumn, for instance, Autumn has been pictured in the concrete figures of the reaper, the winnower, the gleaner etc. Keats also has the gift of giving life to inanimate objects while picturing them. In The Eve of St. Agnes he represents the statues of kings and queens as feeling cold, and refers to the carved angels as eager-eyed” and as staring. The statues and carvings have been given life. Again, many of his pictures are colourful. For sheer colour, the image of the diamonded window-panes dyed with splendid colours in The 10’