charged with strong emotion,seemed to bespeakingto itself, 'was the chief mark ofthe insensate barbarism still prevailing in those days.It sprang from that most irreligious fetish,the belief in the permanence ofthe individual ego after death From the worship ofthat fetish had come all the sorrows ofthe human race.They did not stop to loveeach other in this life they were so sure they had all eternity to do it in.The doctrine was an invention to enable men to act like dogs with clear consciences.Love could never come to full fruition till it was destroyed."Fraternity(1909) III.Works From The Four Winds,1897(as JohnSinjohn) 10 Jocelyn,1898(as JohnSinjohn) Salvation ofa Forsyte,1900 .Villa Rubein,1900(as JohnSinjohn) ·The Silence,.190l ·A Knight,1901 A Man Of Devon,1901(as JohnSinjohn) The Island Pharisees,1904 The Silver Box,1906(his first play)charged with strong emotion, seemed to be speaking to itself, "was the chief mark of the insensate barbarism still prevailing in those days. It sprang from that most irreligious fetish, the belief in the permanence of the individual ego after death. From the worship of that fetish had come all the sorrows of the human race. . They did not stop to love each other in this life; they were so sure they had all eternity to do it in. The doctrine was an invention to enable men to act like dogs with clear consciences. Love could never come to full fruition till it was destroyed." Fraternity (1909) III. Works • From The Four Winds, 1897 (as John Sinjohn) • Jocelyn, 1898 (as John Sinjohn) • Salvation of a Forsyte, 1900 • Villa Rubein, 1900 (as John Sinjohn) • The Silence, 1901 • A Knight, 1901 • A Man Of Devon, 1901 (as John Sinjohn) • The Island Pharisees, 1904 • The Silver Box, 1906 (his first play) 10’