背诵篇章 vas perfected in the early eighteenth century by a harpsichord maker in Italy( though musicologists point out sever al previous instances of the instrument). This instrument was called a piano e forte(sort and loud), to indicate its dynamic ersatility its strings were struck by a recoiling hammer with a felt-padded head The wires were much heavier in the earlier instruments. A series of mechanical improvements continuing well into the nineteenth century, including the introduction of pedals to sustain tone or to sof ten it, the perfection of a metal frame, and steel wire of the finest quality finally produced an instrument capable of myriad tonal ef fects from the most delicate harmonies to an almost orchestral fullness of sound, from a liquid, singing tone to a sharp, percussive brilliance. NOTE 1 The strings(弦乐) 2)keyboard: clavichord, harpsichord, piano 3)bow: violin, viola, cello, double bass 2. The Wood (xE)-winds piccolo, flute, oboe, clarinet, bassoon, English horn 3. the brass(HB): French horn, trumpet, trombone, cornet, tuba, bugle, saxophone: 4. the percussion (fTini!A): kettle drum, bass drum, snaredrum, castanet, xylophone, celesta, cymbal, tambourine. 25. Movie music Accustomed though we are to speaking of the films made before 1927 as"silent, the film has never been, in the full sense of the word, silent From the very beginning, music was regarded as an indispensable accompaniment; when the Lumiere films were shown at the first public film exhibition in the United States in February 1896, they were accompanied by piano mprovisations on popular tunes. At first, the music played bore no special relationship to the films; an accompaniment kind was sufficient within a ttime, however, the incongruity of playing Lively music to a solemn film became apparent, and film pianists began to take care in matching their pieces to the mood of the film. As movie theaters grew in number and importance, a vid inist, and perhaps a cellist, would be added to the pianist in certain cases, and in the larger mov ie theaters small orchestras were formed. For a number of years the selection of music for each film program rested entirely in the hands of the conductor or leader of the orchestra, and very often the principal qualification for holding such a position was not skill or taste so much as the ownership of a large personal library of musical pieces. Since the conductor seldom saw the films until the night before they were to be shown(if indeed, the conductor was lucky enough to see them then ), angement was normally improvised in the greatest hurry. To help meet ifficulty film distributing companies started the practice of publishing suggestions for musical accompaniments. In 1909, for example, the Edison Company began issuing with their films such indications of mood as leasant,"sad,lively. The suggestions became more explicit, and so emerged the musical cue sheet containing indications of mood, the titles of suitable pieces of music, and precise directions to show where one piece led into the next. Certain films had music especially composed for them. The most famous of these early special scores was that composed and ranged for D W Griffith's film Birth of a Nation, which was released in 1915. Note 美国還俗音乐分类 1) traditional jazz---a) blues,代表人物: Billy Holiday ragtime(切分乐曲):代表人物: Scott Joplin c)New Orleans jazz(= Dixieland jazz) eg: Louis Armstron e)bop(=bebop, rebop) eg: Lester Young, Charlie Parker etc. 10背 诵 篇 章 10 The piano was perfected in the early eighteenth century by a harpsichord maker in Italy (though musicologists point out sever al previous instances of the instrument). This instrument was called a piano e forte (sort and loud), to indicate its dynamic versatility; its strings were struck by a recoiling hammer with a felt-padded head. The wires were much heavier in the earlier instruments. A series of mechanical improvements continuing well into the nineteenth century, including the introduction of pedals to sustain tone or to soften it, the perfection of a metal frame, and steel wire of the finest quality, finally produc ed an instrument capable of myriad tonal effects from the most delicate harmonies to an almost orchestral fullness of sound, from a liquid, singing tone to a sharp, percussive brilliance. NOTE: Musical Instruments 1.The strings (弦乐) 1) plectrum: harp, lute, guitar, mandolin; 2) keyboard: clavichord, harpsichord, piano; 3) bow: violin, viola, cello, double bass. 2. The Wood（木管）—winds : piccolo, flute, oboe, clarinet, bassoon, English horn; 3. the brass（铜管）: French horn, trumpet, trombone, cornet, tuba, bugle, saxophone; 4.the percussion（打击组）: kettle drum, bass drum, snare drum, castanet, xylophone, celesta, cymbal, tambourine. 25. Movie Music Accustomed though we are to speaking of the films made before 1927 as “silent”, the film has never been, in the full sense of the word, silent. From the very beginning, music was regarded as an indispensable accompaniment; when the Lumiere films were shown at the first public film exhibition in the United States in February 1896, they were ac companied by piano improvisations on popular tunes. At first, the music played bore no special relationship to the films; an accompaniment of an y kind was sufficient. Within a very short time, however, the incongruity of playing lively music to a solemn film became apparent, and film pianists began to take some care in matching their pieces to the mood of the film. As movie theaters grew in number and importance, a violinist, and perhaps a cellist, would be added to the pianist in certain cases, and in the larger movie theaters small orchestras were formed. For a number of years the selection of music for each film program rested entirely in the hands of the conductor or leader of the orchestra, and very often the principal qualification for holding such a position was not skill or taste so much as the ownership of a large personal library of musical pieces. Since the conductor seldom saw the films until the night before they were to be shown(if indeed, the conductor was lucky enough to see them then), the musical arrangement was normally improvised in the greatest hurry. To help meet this difficulty, film distributing companies started the practice of publishing suggestions for musical accompaniments. In 1909, for example, the Edison Company began issuing with their films such indications of mood as “ pleasant”, “sad”, “lively”. The suggestions became more explicit, and so emerged the musical cue sheet containing indications of mood, the titles of suitable pieces of music, and precise directions to show where one piece led into the next. Certain films had music especially composed for them. The most famous of these early special scores was that composed and arranged for D.W Griffith’s film Birth of a Nation, which was released in 1915. Note: 美国通俗音乐分类： 1．Jazz; 1) traditional jazz---- a) blues, 代表人物：Billy Holiday b)ragtime(切分乐曲): 代表人物：Scott Joplin c)New Orleans jazz (= Dixieland jazz) eg: Louis Armstron d)swing eg: Glenn Miller, Duke Ellington, etc. e)bop (=bebop, rebop) eg: Lester Young, Charlie Parker etc