PAISA FILMS. 4 EDITIoN Paisa Variety(New York ) 2 November 19 Brunette, Peter, Unity and Difference in Paisan, in Studies Ordway, Peter, "Prophet with Honor: Roberto Rossellini, in Thea Literary Imagination, vol. 16, no. 1, 1983. tre Arts(New York), January 1949 Brunette. Peter. *Rossellini and Cinematic Realism. in cinema Manvell, Roger, ""Paisan: How It Struck Our Contemporaries, in Journal (evanston, Illinois), vol 25, no. 1, 1985 Penguin Film Review (London), May 1949 Decaux, E, in Cinematographe(Paris), April 1985 Koval, francis, "" Interview with Roberto Rossellini, in Sight and Variety(New York), 24 August 1987. Sound (London), February 1 Sinclair, M,"Ellipsis in Rossellini's Paisa: The Privileging of the Pacifici, Sergio J, "Notes on a Definition of Neorealism, in Yale Invisible, in Spectator Los Angeles), vol 9, no. 1, 1988 French Studies(New Haven), Summer 1956. Pinciroli, G,""Efficacia e completezza del gesto cinematografice a confronto in Paisa, in Cineforum(Bergamo, Italy), April 1990 don), winter 1960-61 Roncoroni. S. and E. bruno "Presentazione di due soggetti inediti di "The Achievement of Roberto rossellini, in Film Comment(New Sergio Amidei per Paisa di Roberto rossellini, in Filmcritica York ), Fall 1964 (Rome), December 1990. Johnson, lan, in Films and Filming(London), February 1966 Dean, Peter, Video: Paisa Directed by Roberto Rossellini, in Sigh Helman,A,""Roberto Rossellini albo synteza antynomjii: Nasz and Sound (London), vol 3, no 8, August 1993 lluzjon, in Kino(Warsaw ), October 1973 Wagstaff, Chris, True Stories, in Sight Sound (London), vol 3 Lawton. B. r Construction Reality, in no8, August 1993 Film Criticism(Edinboro, Pennsylvania), no. 2, 1979 Brunette, P, "The Neo bible, in Village Voice(New York), vol 40 Predal. Rene.""Roberto Rossellini. 1906-1977. in avant-Scene du 17 October 1995 Cinema(Paris), 15 February 1979 Pym, John, in Monthly Film Bulletin(London), November 1980. 916PAISÀ FILMS, 4th EDITION 916 Paisà Variety (New York), 2 November 1948. Ordway, Peter, ‘‘Prophet with Honor: Roberto Rossellini,’’ in Thea￾tre Arts (New York), January 1949. Manvell, Roger, ‘‘Paisan: How It Struck Our Contemporaries,’’ in Penguin Film Review (London), May 1949. Koval, Francis, ‘‘Interview with Roberto Rossellini,’’ in Sight and Sound (London), February 1951. Pacifici, Sergio J., ‘‘Notes on a Definition of Neorealism,’’ in Yale French Studies (New Haven), Summer 1956. Rhode, Eric, ‘‘Why Neorealism Failed,’’ in Sight and Sound (Lon￾don), Winter 1960–61. ‘‘The Achievement of Roberto Rossellini,’’ in Film Comment (New York), Fall 1964. Johnson, Ian, in Films and Filming (London), February 1966. Helman, A., ‘‘Roberto Rossellini albo synteza antynomjii: Nasz Iluzjon,’’ in Kino (Warsaw), October 1973. Lawton, B., ‘‘Italian Neorealism: A Mirror Construction Reality,’’ in Film Criticism (Edinboro, Pennsylvania), no. 2, 1979. Prédal, René, ‘‘Roberto Rossellini, 1906–1977,’’ in Avant-Scéne du Cinéma (Paris), 15 February 1979. Pym, John, in Monthly Film Bulletin (London), November 1980. Brunette, Peter,’’Unity and Difference in Paisan,’’ in Studies in Literary Imagination, vol. 16, no. 1, 1983. Brunette, Peter, ‘‘Rossellini and Cinematic Realism,’’ in Cinema Journal (Evanston, Illinois), vol. 25, no. 1, 1985. Decaux, E., in Cinématographe (Paris), April 1985. Variety (New York), 24 August 1987. Sinclair, M., ‘‘Ellipsis in Rossellini’s Paisa: The Privileging of the Invisible,’’ in Spectator (Los Angeles), vol. 9, no. 1, 1988. Pinciroli, G., ‘‘Efficacia e completezza del gesto cinematografico a confronto in Paisà,’’ in Cineforum (Bergamo, Italy), April 1990. Roncoroni, S., and E. Bruno, ‘‘Presentazione di due soggetti inediti di Sergio Amidei per Paisà di Roberto Rossellini,’’ in Filmcritica (Rome), December 1990. Dean, Peter, ‘‘Video: Paisa Directed by Roberto Rossellini,’’ in Sight and Sound (London), vol. 3, no. 8, August 1993. Wagstaff, Chris, ‘‘True Stories,’’ in Sight & Sound (London), vol. 3, no. 8, August 1993. Brunette, P., ‘‘The Neo Bible,’’ in Village Voice (New York), vol. 40, 17 October 1995. ***