PAISA New York, 1973: also included in Rosselliniana: bibliografia internazionale, dossier "Paisa edited by Adriano Apra, Rome. 1987 Italy. 1946 Hovald. Patrice. Roberto rossellini. Paris. 1958 Director: Roberto rossellini Mida, Massimo. Roberto Rossellini. Parma. 1961 Verdone. Mario. Roberto rossellini. Paris. 1963 Guarner, Jose Luis, Roberto Rossellini. New York, 1970 Production: Organization Films International in collaboration with Armes, Roy, Patterns of Realism, South Brunswick, New Jersey, 1971 oreign Films Productions, some sources also credit Capitani Films; Bazin, Andre, What Is Cinema ?, vol. 2, Berkely, 1971 black and white, 35mm; running time: 117 minutes, originally 124 Leprohon, Pierre, The Italian Cinema, New York, 1972. minutes; length: 4195 feet. Released 1946 Baldelli Pio. Roberto Rossellini. Rome. 1972. Klinowski, Jacek, and Adam Garbicz, editors, Cinema, The magi Producers: Roberto Rossellini, Rod E. Geiger, and Mario Conti Vehicle: A Guide to Its Achievement: Journey 1: The Cinema production supervisor: Ugo Lombardi; story: Victor Haines, Marcello through 1949, Metuchen, New Jersey, 1975 agiero, Sergio Amidei, Federico Fellini, Roberto Rossellini, Klaus Rondolino. Gianni. Roberto Rossellini. Florence. 1974 Mann(Florence episode), and Vasco Pratolini; screenplay: Sergio MacBean, James Roy, Film and Revolution, Bloomington, Indi- ana,1975 Amidei, Federico Fellini, and Roberto Rossellini; English dialogue: Overby, David, editor, Springtime in Italy A Reader on Neo-Realism, Annelena Limentani; English subtitles: Herman G. Weinberg:as- Hamden Connecticut. 1978 sistant directors: Federico Fellini, Massimo Mida, E. Handimar, and Ranvaud. Don, Roberto rossellini. London. 1981 L. Limentani; photography: Otello Martelli: editor: Eraldo da Roma; sound: Ovidia del Grande; music: Renzo Rossellini; English Bondanella, Peter, Italian Cinema: From Neorealism to the Present. narrators: Stuart Legg and Raymond Spottiswoode. New York, 1983. Rossellini, Roberto. Le Cinema Revel, edited by Alain Bergala Cast: Carmela Sazio( Carmela); Robert Van Loon (Joe from Jersey): Hillier, Jim, editor, Cahiers du Cinema 1: The 1950s: Neo-Realism, Alfonsino Pasca(Boy): Maria Michi (francesca): Renzo Avanzo Hollywood. New Wave. London, 1985 (Massimo): Harriet White(Harriet): Dots M. Johnson(MP): Bill Serceau, Michel, Roberto Rossellini, Paris, 1986. Tubbs( Captain Bill Martin); Benjamin Emmanuel; Raymond Camp- Brunette, Peter, Roberto Rossellini, Oxford, 1987, 1996 bell: Albert Heinz; Harold Wagner: Merlin Berth; Leonard Parrish Gansera, Rainer, and others, Roberto rossellini, Munich, 1987 Dale Edmonds(Dale): Carlo Piscane(Peasant in Sicily story): Mats Rossellini, Roberto, Il mio metodo: Scritti e intervisti, edited by Carlson (Soldier in Sicily story): Gar Moore (Fred): Gigi Gori Adriano Apra, Venice, 1987 (Partisan); Cigolani( Cigolani): Lorena Berg(Maddalena): Allen Rossi, Patrizio, Roberto Rossellini: A Guide to References and Dan: M. Hugo; Anthony La Penna. Resources. Boston. 1988 Bondanella, Peter, Films of Roberto Rossellini, Cambridge, 1993 Rossellini, Roberto, My Method: Writings and Interviews, New Awards: Venice Film Festival, Special Mention, 1946: New York Film Critics Award, Best Foreign Film, 1948 Gallagher, Tag, The Adventures of Roberto Rossellini, Cambridge, 1998 Articles Publications Barty King, Hugh, " Seven Americans, in Sight and Sound ( Lon- 0. Autumn 1946 Anderson, Lindsay, in Sequence(London), Winter 1947 Crowther, Bosley, in New York Times, 30 March 1948 Rossellini, Roberto, and others, Paisan, in The War Trilogy: Open Warshow, Robert, in Partisan Review(New Brunswick, New Jersey), City, Paisan, Germany-Year Zero. edited by Stefano Roncoroni, July 1948915 PAISÀ P (Paisan) Italy, 1946 Director: Roberto Rossellini Production: Organization Films International in collaboration with Foreign Films Productions, some sources also credit Capitani Films; black and white, 35mm; running time: 117 minutes, originally 124 minutes; length: 4195 feet. Released 1946. Producers: Roberto Rossellini, Rod E. Geiger, and Mario Conti; production supervisor: Ugo Lombardi; story: Victor Haines, Marcello Pagiero, Sergio Amidei, Federico Fellini, Roberto Rossellini, Klaus Mann (Florence episode), and Vasco Pratolini; screenplay: Sergio Amidei, Federico Fellini, and Roberto Rossellini; English dialogue: Annelena Limentani; English subtitles: Herman G. Weinberg; as￾sistant directors: Federico Fellini, Massimo Mida, E. Handimar, and L. Limentani; photography: Otello Martelli; editor: Eraldo da Roma; sound: Ovidia del Grande; music: Renzo Rossellini; English narrators: Stuart Legg and Raymond Spottiswoode. Cast: Carmela Sazio (Carmela); Robert Van Loon (Joe from Jersey); Alfonsino Pasca (Boy); Maria Michi (Francesca); Renzo Avanzo (Massimo); Harriet White (Harriet); Dots M. Johnson (MP); Bill Tubbs (Captain Bill Martin); Benjamin Emmanuel; Raymond Camp￾bell; Albert Heinz; Harold Wagner; Merlin Berth; Leonard Parrish; Dale Edmonds (Dale); Carlo Piscane (Peasant in Sicily story); Mats Carlson (Soldier in Sicily story); Gar Moore (Fred); Gigi Gori (Partisan); Cigolani (Cigolani); Lorena Berg (Maddalena); Allen Dan; M. Hugo; Anthony La Penna. Awards: Venice Film Festival, Special Mention, 1946; New York Film Critics Award, Best Foreign Film, 1948. Publications Script: Rossellini, Roberto, and others, Paisan, in The War Trilogy: Open City, Paisan, Germany—Year Zero, edited by Stefano Roncoroni, New York, 1973; also included in Rosselliniana: Bibliografia internazionale, dossier ‘‘Paisà” edited by Adriano Apra, Rome, 1987. Books: Hovald, Patrice, Roberto Rossellini, Paris, 1958. Mida, Massimo, Roberto Rossellini, Parma, 1961. Verdone, Mario, Roberto Rossellini, Paris, 1963. Guarner, Jose Luis, Roberto Rossellini, New York, 1970 Armes, Roy, Patterns of Realism, South Brunswick, New Jersey, 1971. Bazin, André, What Is Cinema?, vol. 2, Berkely, 1971. Leprohon, Pierre, The Italian Cinema, New York, 1972. Baldelli, Pio, Roberto Rossellini, Rome, 1972. Klinowski, Jacek, and Adam Garbicz, editors, Cinema, The Magic Vehicle: A Guide to Its Achievement: Journey 1: The Cinema through 1949, Metuchen, New Jersey, 1975. Rondolino, Gianni, Roberto Rossellini, Florence, 1974. MacBean, James Roy, Film and Revolution, Bloomington, Indi￾ana, 1975. Overby, David, editor, Springtime in Italy: A Reader on Neo-Realism, Hamden, Connecticut, 1978. Ranvaud, Don, Roberto Rossellini, London, 1981. Bondanella, Peter, Italian Cinema: From Neorealism to the Present, New York, 1983. Rossellini, Roberto. Le Cinéma Révélé, edited by Alain Bergala, Paris, 1984. Hillier, Jim, editor, Cahiers du Cinéma 1: The 1950s: Neo-Realism, Hollywood, New Wave, London, 1985. Serceau, Michel, Roberto Rossellini, Paris, 1986. Brunette, Peter, Roberto Rossellini, Oxford, 1987, 1996. Gansera, Rainer, and others, Roberto Rossellini, Munich, 1987. Rossellini, Roberto, Il mio metodo: Scritti e intervisti, edited by Adriano Apra, Venice, 1987. Rossi, Patrizio, Roberto Rossellini: A Guide to References and Resources, Boston, 1988. Bondanella, Peter, Films of Roberto Rossellini, Cambridge, 1993. Rossellini, Roberto, My Method: Writings and Interviews, New York, 1995. Gallagher, Tag, The Adventures of Roberto Rossellini, Cambridge, 1998. Articles: Barty King, Hugh, ‘‘Seven Americans,’’ in Sight and Sound (Lon￾don), Autumn 1946. Anderson, Lindsay, in Sequence (London), Winter 1947. Crowther, Bosley, in New York Times, 30 March 1948. Warshow, Robert, in Partisan Review (New Brunswick, New Jersey), July 1948