《英语文学导论》第四模块---英语诗歌 教学计划 (索宇环) I.William Wordsworth(1770-1850) a major English Romantic poet who,with Samuel Taylor Coleridge,helped to launch the Romantic Age in English literature with their joint publication Lyrical Ballads (1798). Major Works: Lyrical Ballads,with a Few Other Poems(1798) "Lines Written in Early Spring" "We are Seven" "The Tables Turned" "Lines Composed A Few Miles above Tintern Abbey" Lyrical Ballads,with Other Poems (1800) Preface to the Lyrical Ballads "Strange fits of passion have I known"[32] "She Dwelt among the Untrodden Ways"[32] "Three years she grew"[32] "A Slumber Did my Spirit Seal"[32] "I travelled among unknown men"[32] "Lucy Gray" 1
1 《英语文学导论》第四模块----英语诗歌 教学计划 (索宇环) I. illiam Wordsworth (1770-1850) a major English Romantic poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literature with their joint publication Lyrical Ballads (1798). Major Works: Lyrical Ballads, with a Few Other Poems (1798) "Lines ritten in Early Spring" "e are Seven" "The Tables Turned" "Lines Composed A Few Miles above Tintern Abbey" Lyrical Ballads, with Other Poems (1800) Preface to the Lyrical Ballads "Strange fits of passion have I known"[32] "She Dwelt among the Untrodden ays"[32] "Three years she grew"[32] "A Slumber Did my Spirit Seal"[32] "I travelled among unknown men"[32] "Lucy Gray
"The Two April Mornings" "The Solitary Reaper" Poems,in Two Volumes (1807) "Resolution and Independence" "I Wandered Lonely as a Cloud"Also known as "Daffodils" "My Heart Leaps Up" "Ode:Intimations of Immortality" "Ode to Duty" "The Solitary Reaper" Guide to the Lakes (1810) To the Cuckoo The Excursion(1814) The Prelude(1850) Romanticism Romanticism was an artistic,literary,and intellectual movement that originated in Europe toward the end of the 18th century and was at its peak from 1800 to 1850.It was partly a reaction to the Industrial Revolution,Enlightenment,and the scientific rationalization of nature. The movement emphasized intense emotion as an authentic source of aesthetic experience,placing new emphasis on such emotions as apprehension,horror and terror,and awe-especially that experienced in confronting the new aesthetic categories of the sublimity and beauty of nature.Edgar Allan Poe and Nathaniel Hawthorne were American representatives of Romanticism, Romanticism attached primary importance to the free expression of the feelings of the artist.The importance the Romantics placed on emotion is summed up in the remark of William Wordsworth,that is,poetry should begin as "the spontaneous overflow of powerful feelings,"which the poet then "recollect[s]in tranquility," evoking a new but corresponding emotion the poet can then mould into art.To express these feelings,it was considered that the content of the art had to come from the imagination of the artist,with as little interference as possible from "artificial"rules that dictated what a work should consist of.Samuel Taylor Coleridge and others believed there were natural laws that the imagination-at least of a good creative artist-would unconsciously follow through artistic inspiration if left alone. In the second half of the 19th century,Realism was offered as a polar opposite to Romanticism.The decline of Romanticism during this time was associated with multiple processes,including social and political changes and the spread of nationalism Selected Poems: 2
2 "The Two April Mornings" "The Solitary Reaper" Poems, in Two Volumes (1807) "Resolution and Independence" "I andered Lonely as a Cloud" Also known as "Daffodils" "My Heart Leaps Up" "Ode: Intimations of Immortality" "Ode to Duty" "The Solitary Reaper" Guide to the Lakes (1810) " To the Cuckoo " The Excursion (1814) The Prelude (1850) Romanticism Romanticism was an artistic, literary, and intellectual movement that originated in Europe toward the end of the 18th century and was at its peak from 1800 to 1850. It was partly a reaction to the Industrial Revolution, Enlightenment, and the scientific rationalization of nature. The movement emphasized intense emotion as an authentic source of aesthetic experience, placing new emphasis on such emotions as apprehension, horror and terror, and awe—especially that experienced in confronting the new aesthetic categories of the sublimity and beauty of nature. Edgar Allan Poe and Nathaniel Hawthorne were American representatives of Romanticism, Romanticism attached primary importance to the free expression of the feelings of the artist. The importance the Romantics placed on emotion is summed up in the remark of illiam ordsworth, that is, poetry should begin as "the spontaneous overflow of powerful feelings," which the poet then "recollect[s] in tranquility," evoking a new but corresponding emotion the poet can then mould into art. To express these feelings, it was considered that the content of the art had to come from the imagination of the artist, with as little interference as possible from "artificial" rules that dictated what a work should consist of. Samuel Taylor Coleridge and others believed there were natural laws that the imagination—at least of a good creative artist—would unconsciously follow through artistic inspiration if left alone. In the second half of the 19th century, Realism was offered as a polar opposite to Romanticism. The decline of Romanticism during this time was associated with multiple processes, including social and political changes and the spread of nationalism. Selected Poems:
Lines Written in Early Spring (1797) I heard a thousand blended notes, While in a grove I sate reclined, In that sweet mood when pleasant thoughts Bring sad thoughts to the mind. To her fair works did nature link The human soul that through me ran; And much it grieved my heart to think What man has made of man. Through primrose tufts,in that sweet bower, The periwinkle trailed its wreaths; And 'tis my faith that every flower Enjoys the air it breathes. The birds around me hopped and played: Their thoughts I cannot measure, But the least motion which they made, It seemed a thrill of pleasure. The budding twigs spread out their fan, To catch the breezy air; And I must think,do all I can, That there was pleasure there. If this belief from heaven be sent, If such be Nature's holy plan, Have I not reason to lament What man has made of man? Questions 1.How could pleasant thoughts bring sad thoughts? 2.What does the speaker mean when he laments"what man has made of man"? She Dwelt among the Untrodden Ways(1799) She dwelt among the untrodden ways Beside the springs of Dove, A Maid whom there were none to praise 3
3 Lines Written in Early Spring (1797) I heard a thousand blended notes, hile in a grove I sate reclined, In that sweet mood when pleasant thoughts Bring sad thoughts to the mind. To her fair works did nature link The human soul that through me ran; And much it grieved my heart to think hat man has made of man. Through primrose tufts, in that sweet bower, The periwinkle trailed its wreaths; And ‘tis my faith that every flower Enjoys the air it breathes. The birds around me hopped and played: Their thoughts I cannot measure, But the least motion which they made, It seemed a thrill of pleasure. The budding twigs spread out their fan, To catch the breezy air; And I must think, do all I can, That there was pleasure there. If this belief from heaven be sent, If such be Nature’s holy plan, Have I not reason to lament hat man has made of man? Questions : 1. How could pleasant thoughts bring sad thoughts? 2. hat does the speaker mean when he laments “what man has made of man”? She Dwelt among the Untrodden Ways (1799) She dwelt among the untrodden ways Beside the springs of Dove, A Maid whom there were none to praise
And very few to love: A violet by a mossy stone Half hidden from the eye! -Fair as a star,when only one Is shining in the sky. She lived unknown,and few could know When Lucy ceased to be; But she is in her grave,and,oh, The difference to me! Questions: 1.What is implied in the fact that"she dwelt among the untrodden ways?" 2.Why did the speaker pay so much attention to a girl whom"none to praise"? The Daffodils(1806) I wandered lonely as a cloud That floats on high o'er vales and hills, When all at once I saw a crowd, A host,of golden daffodils; Beside the lake,beneath the trees, Fluttering and dancing in the breeze. Continuous as the stars that shine And twinkle on the Milky Way, They stretched in never-ending line Along the margin of a bay: Ten thousand saw I at a glance, Tossing their heads in sprightly dance. The waves beside them danced,but they Out-did the sparkling waves in glee: A Poet could not but be gay, In such a jocund company: I gazed-and gazed-but little thought What wealth the show to me had brought: For oft,when on my couch I lie In vacant or in pensive mood, They flash upon that inward eye Which is the bliss of solitude; 4
4 And very few to love: A violet by a mossy stone Half hidden from the eye! —Fair as a star, when only one Is shining in the sky. She lived unknown, and few could know hen Lucy ceased to be; But she is in her grave, and, oh, The difference to me! Questions: 1. hat is implied in the fact that “she dwelt among the untrodden ways?” 2. hy did the speaker pay so much attention to a girl whom “none to praise”? The Daffodils (1806) I wandered lonely as a cloud That floats on high o’er vales and hills, hen all at once I saw a crowd, A host, of golden daffodils; Beside the lake, beneath the trees, Fluttering and dancing in the breeze. Continuous as the stars that shine And twinkle on the Milky ay, They stretched in never-ending line Along the margin of a bay: Ten thousand saw I at a glance, Tossing their heads in sprightly dance. The waves beside them danced, but they Out-did the sparkling waves in glee: A Poet could not but be gay, In such a jocund company: I gazed—and gazed—but little thought hat wealth the show to me had brought: For oft, when on my couch I lie In vacant or in pensive mood, They flash upon that inward eye hich is the bliss of solitude;
And then my heart with pleasure fills, And dances with the daffodils. Questions: 1.Did the speaker enjoy or grieve solitude? 2.What do“cloud'and“daffodils”symbolize? The Solitary Reaper (1806) Behold her,single in the field, Yon solitary Highland Lass! Reaping and singing by herself; Stop here,or gently pass! Alone she cuts and binds the grain, And sings a melancholy strain; O listen!for the Vale profound Is overflowing with the sound. No Nightingale did ever chaunt More welcome notes to weary bands Of travellers in some shady haunt, Among Arabian sands: A voice so thrilling ne'er was heard In spring-time from the Cuckoo-bird, Breaking the silence of the seas Among the farthest Hebrides. Will no one tell me what she sings?- Perhaps the plaintive numbers flow For old,unhappy,far-off things, And battles long ago: Or is it some more humble lay. Familiar matter of to-day? Some natural sorrow,loss,or pain, That has been,and may be again? Whate'er the theme,the Maiden sang As if her song could have no ending; I saw her singing at her work, And o'er the sickle bending;- I listen'd,motionless and still; And,as I mounted up the hill, The music in my heart I bore, 5
5 And then my heart with pleasure fills, And dances with the daffodils. Questions: 1. Did the speaker enjoy or grieve solitude? 2. hat do “cloud” and “daffodils” symbolize? The Solitary Reaper (1806) Behold her, single in the field, Yon solitary Highland Lass! Reaping and singing by herself; Stop here, or gently pass! Alone she cuts and binds the grain, And sings a melancholy strain; O listen! for the Vale profound Is overflowing with the sound. No Nightingale did ever chaunt More welcome notes to weary bands Of travellers in some shady haunt, Among Arabian sands: A voice so thrilling ne’er was heard In spring-time from the Cuckoo-bird, Breaking the silence of the seas Among the farthest Hebrides. ill no one tell me what she sings?— Perhaps the plaintive numbers flow For old, unhappy, far-off things, And battles long ago: Or is it some more humble lay, Familiar matter of to-day? Some natural sorrow, loss, or pain, That has been, and may be again? hate’er the theme, the Maiden sang As if her song could have no ending; I saw her singing at her work, And o’er the sickle bending;— I listen’d, motionless and still; And, as I mounted up the hill, The music in my heart I bore
Long after it was heard no more. Questions: 1.Why did the speaker always pay attention to solitary girls? 2.Why did the speaker love the music when he actually did not understand it? It Is a Beauteous Evening,Calm and Free It is a beauteous evening,calm and free, The holy time is quiet as a Nun Breathless with adoration;the broad sun Is sinking down in its tranquility; The gentleness of heaven broods o'er the Sea; Listen!the mighty Being is awake, And doth with his eternal motion make A sound like thunder-everlastingly. Dear child!dear Girl!that walkest with me here, If thou appear untouched by solemn thought, Thy nature is not therefore less divine: Thou liest in Abraham's bosom all the year; And worshipp'st at the Temple's inner shrine, God being with thee when we know it not. Questions: 1.What does"calm and free"mean to the speaker? 2.Who is the "child"?Why did the speaker wish that"God being with thee"? II.Walt Whitman (1819-1892) 6
6 Long after it was heard no more. Questions: 1. hy did the speaker always pay attention to solitary girls? 2. hy did the speaker love the music when he actually did not understand it? It Is a Beauteous Evening, Calm and Free It is a beauteous evening, calm and free, The holy time is quiet as a Nun Breathless with adoration; the broad sun Is sinking down in its tranquility; The gentleness of heaven broods o’er the Sea; Listen! the mighty Being is awake, And doth with his eternal motion make A sound like thunder—everlastingly. Dear child! dear Girl! that walkest with me here, If thou appear untouched by solemn thought, Thy nature is not therefore less divine: Thou liest in Abraham’s bosom all the year; And worshipp’st at the Temple’s inner shrine, God being with thee when we know it not. Questions: 1. hat does “calm and free” mean to the speaker? 2. ho is the “child”? hy did the speaker wish that “God being with thee”? II. Walt Whitman (1819-1892)
an American poet,essayist,and journalist.A humanist,he was a part of the transition between transcendentalism and realism,incorporating both views in his works. Whitman is among the most influential poets in the American canon,often called the father of free verse.[1]His work was very controversial in its time,particularly his poetry collection Leaves of Grass,which was described as obscene for its overt sexuality.Along with Emily Dickinson,he is considered one of America's most important poets. Poetic theory Whitman wrote in the preface to the 1855 edition of Leaves ofGrass,"The proof of a poet is that his country absorbs him as affectionately as he has absorbed it."He believed there was a vital,symbiotic relationship between the poet and society.This connection was emphasized especially in "Song of Myself"by using an all-powerful first-person narration.As an American epic,it deviated from the historic use of an elevated hero and instead assumed the identity of the common people. Fame and influence Walt Whitman has been claimed as America's first "poet of democracy",a title meant to reflect his ability to write in a singularly American character.A British friend of Walt Whitman,Mary Smith Whitall Costelloe,wrote:"You cannot really understand America without Walt Whitman,without Leaves of Grass...He has expressed that civilization,'up to date,'as he would say,and no student of the philosophy of history can do without him."Modernist poet Ezra Pound called Whitman "America's poet... He is America."Andrew Carnegie called him "the great poet of America so far". Whitman considered himself a messiah-like figure in poetry.Others agreed:one of his admirers,William Sloane Kennedy,speculated that "people will be celebrating the birth of Walt Whitman as they are now the birth of Christ". The literary critic,Harold Bloom wrote,as the introduction for the 150th anniversary of Leaves of Grass: If you are American,then Walt Whitman is your imaginative father and mother, even if,like myself,you have never composed a line of verse.You can nominate a fair number of literary works as candidates for the secular Scripture of the United States. They might include Melville's Moby-Dick,Twain's Adventures of Huckleberry Finn, and Emerson's two series of Essays and The Conduct of Life.None of those,not even Emerson's,are as central as the first edition of Leaves of Grass. Major Works: 7
7 an American poet, essayist, and journalist. A humanist, he was a part of the transition between transcendentalism and realism, incorporating both views in his works. hitman is among the most influential poets in the American canon, often called the father of free verse.[1] His work was very controversial in its time, particularly his poetry collection Leaves of Grass, which was described as obscene for its overt sexuality. Along with Emily Dickinson, he is considered one of America’s most important poets. Poetic theory hitman wrote in the preface to the 1855 edition of Leaves of Grass, "The proof of a poet is that his country absorbs him as affectionately as he has absorbed it." He believed there was a vital, symbiotic relationship between the poet and society. This connection was emphasized especially in "Song of Myself" by using an all-powerful first-person narration. As an American epic, it deviated from the historic use of an elevated hero and instead assumed the identity of the common people. Fame and influence alt hitman has been claimed as America's first "poet of democracy", a title meant to reflect his ability to write in a singularly American character. A British friend of alt hitman, Mary Smith hitall Costelloe, wrote: "You cannot really understand America without alt hitman, without Leaves of Grass... He has expressed that civilization, 'up to date,' as he would say, and no student of the philosophy of history can do without him." Modernist poet Ezra Pound called hitman "America's poet... He is America." Andrew Carnegie called him "the great poet of America so far". hitman considered himself a messiah-like figure in poetry. Others agreed: one of his admirers, illiam Sloane Kennedy, speculated that "people will be celebrating the birth of alt hitman as they are now the birth of Christ". The literary critic, Harold Bloom wrote, as the introduction for the 150th anniversary of Leaves of Grass: If you are American, then alt hitman is your imaginative father and mother, even if, like myself, you have never composed a line of verse. You can nominate a fair number of literary works as candidates for the secular Scripture of the United States. They might include Melville's Moby-Dick, Twain's Adventures of Huckleberry Finn, and Emerson's two series of Essays and The Conduct of Life. None of those, not even Emerson's, are as central as the first edition of Leaves of Grass. Major Works:
Franklin Evans (1842) Leaves of Grass (1855,the first of seven editions through 1891) Drum-Taps (1865) Democratic Vistas (1871) Selected Poems: Oh,Captain!My Captain! O Captain!my Captain!our fearful trip is done, The ship has weather'd every rack,the prize we sought is won, The port is near,the bells I hear,the people all exulting, While follow eyes the steady keel,the vessel grim and daring; But O heart!heart!heart! O the bleeding drops of red, Where on the deck my Captain lies, Fallen cold and dead. O Captain!my Captain!rise up and hear the bells; Rise up-for you the flag is flung-for you the bugle trills, For you bouquets and ribbon'd wreaths-for you the shores a-crowding, For you they call,the swaying mass,their eager faces turning; Here Captain!dear father! This arm beneath your head! It is some dream that on the deck, You've fallen cold and dead. My Captain does not answer,his lips are pale and still, My father does not feel my arm,he has no pulse nor will, The ship is anchor'd safe and sound,its voyage closed and done, From fearful trip the victor ship comes in with object won; Exult O shores,and ring O bells! But I with mournful tread, Walk the deck my Captain lies, Fallen cold and dead. Questions: l.Who can the“Captain'”possibly be'? 2.Why was the captain so widely and deeply loved? Beat!Beat!Drums! Beat!beat!drums!-blow!bugles!blow! Through the windows-through doors-burst like a ruthless force, 8
8 Franklin Evans (1842) Leaves of Grass (1855, the first of seven editions through 1891) Drum-Taps (1865) Democratic Vistas (1871) Selected Poems: Oh, Captain! My Captain! O Captain! my Captain! our fearful trip is done, The ship has weather’d every rack, the prize we sought is won, The port is near, the bells I hear, the people all exulting, hile follow eyes the steady keel, the vessel grim and daring; But O heart! heart! heart! O the bleeding drops of red, here on the deck my Captain lies, Fallen cold and dead. O Captain! my Captain! rise up and hear the bells; Rise up—for you the flag is flung—for you the bugle trills, For you bouquets and ribbon’d wreaths—for you the shores a-crowding, For you they call, the swaying mass, their eager faces turning; Here Captain! dear father! This arm beneath your head! It is some dream that on the deck, You’ve fallen cold and dead. My Captain does not answer, his lips are pale and still, My father does not feel my arm, he has no pulse nor will, The ship is anchor’d safe and sound, its voyage closed and done, From fearful trip the victor ship comes in with object won; Exult O shores, and ring O bells! But I with mournful tread, alk the deck my Captain lies, Fallen cold and dead. Questions: 1. ho can the “Captain” possibly be? 2. hy was the captain so widely and deeply loved? Beat! Beat! Drums! Beat! beat! drums!—blow! bugles! blow! Through the windows—through doors—burst like a ruthless force
Into the solemn church,and scatter the congregation, Into the school where the scholar is studying, Leave not the bridegroom quiet-no happiness must he have now with his bride, Nor the peaceful farmer any peace,ploughing his field or gathering his grain, So fierce you whirr and pound you drums-so shrill you bugles blow. Beat!beat!drums!-blow!bugles!blow! Over the traffic of cities-over the rumble of wheels in the streets; Are beds prepared for sleepers at night in the houses?no sleepers must sleep in those beds. No bargainers'bargains by day-no brokers or speculators-would they continue? Would the talkers be talking?would the singer attempt to sing? Would the lawyer rise in the court to state his case before the judge? Then rattle quicker,heavier drums-you bugles wilder blow. Beat!beat!drums!-blow!bugles!blow! Make no parley-stop for no expostulation, Mind not the timid-mind not the weeper or prayer, Mind not the old man beseeching the young man, Let not the child's voice be heard,nor the mother's entreaties, Make even the trestles to shake the dead where they lie awaiting the hearses, So strong you thump O terrible drums-so loud you bugles blow. Questions: 1.What did the drums beat for? 2.How did America react toward the drums? Full of Life Now Full of life now,compact,visible, I,forty years old the eighty-third year of the States, To one a century hence or any number of centuries hence, To you yet unborn these,seeking you. When you read these I that was visible am become invisible, Now it is you,compact,visible,realizing my poems,seeking me, Fancying how happy you were if I could be with you and become your comrade; Be it as if I were with you.(Be not too certain but I am now with you.) Questions: 1.Are the two numbers(40,83)significant in any way? 2.Who are "you"?And who am"I"? 3.When was“T”visible?When did "I”become invisible? 9
9 Into the solemn church, and scatter the congregation, Into the school where the scholar is studying, Leave not the bridegroom quiet—no happiness must he have now with his bride, Nor the peaceful farmer any peace, ploughing his field or gathering his grain, So fierce you whirr and pound you drums—so shrill you bugles blow. Beat! beat! drums!—blow! bugles! blow! Over the traffic of cities—over the rumble of wheels in the streets; Are beds prepared for sleepers at night in the houses? no sleepers must sleep in those beds, No bargainers’ bargains by day—no brokers or speculators—would they continue? ould the talkers be talking? would the singer attempt to sing? ould the lawyer rise in the court to state his case before the judge? Then rattle quicker, heavier drums—you bugles wilder blow. Beat! beat! drums!—blow! bugles! blow! Make no parley—stop for no expostulation, Mind not the timid—mind not the weeper or prayer, Mind not the old man beseeching the young man, Let not the child’s voice be heard, nor the mother’s entreaties, Make even the trestles to shake the dead where they lie awaiting the hearses, So strong you thump O terrible drums—so loud you bugles blow. Questions: 1. hat did the drums beat for? 2. How did America react toward the drums? Full of Life Now Full of life now, compact, visible, I, forty years old the eighty-third year of the States, To one a century hence or any number of centuries hence, To you yet unborn these, seeking you. hen you read these I that was visible am become invisible, Now it is you, compact, visible, realizing my poems, seeking me, Fancying how happy you were if I could be with you and become your comrade; Be it as if I were with you. (Be not too certain but I am now with you.) Questions: 1. Are the two numbers (40, 83) significant in any way? 2. ho are “you”? And who am “I”? 3. hen was “I” visible? hen did “I” become invisible?
I Hear America Singing I hear America singing,the varied carols I hear, Those of mechanics,each one singing his as it should be blithe and strong, The carpenter singing his as he measures his plank or beam, The mason singing his as he makes ready for work,or leaves off work, The boatman singing what belongs to him in his boat,the deckhand singing on the steamboat deck, The shoemaker singing as he sits on his bench,the hatter singing as he stands, The wood-cutter's song,the ploughboy's on his way in the morning,or at noon intermission or at sundown, The delicious singing of the mother,or of the young wife at work,or of the girl sewing or washing, Each singing what belongs to him or her and to none else, The day what belongs to the day--at night the party of young fellows,robust,friendly, Singing with open mouths their strong melodious songs. Questions: 1.Is it true that the speaker hears America singing? 2.Why does the speaker name all those different trades of work? A Noiseless Patient Spider A noiseless patient spider, I marked where on a promontory it stood isolated, Marked how to explore the vacant vast surrounding, It launched forth filament,filament,filament,out of itself, Ever unreeling them,ever tirelessly speeding them. And you O my soul where you stand, Surrounded,detached,in measureless oceans of space, Ceaselessly musing,venturing,throwing,seeking the spheres to connect them, Till the bridge you will need be formed,till the ductile anchor hold, Till the gossamer thread you fling catch somewhere,O my soul. Questions: 1.What does the"noiseless spider"symbolize? 2.How could a noiseless patient spider touch"my soul"? III.Langston Hughes (1902-1967) Hughes was the first African American author to support himself through his writing; he produced more than sixty books.He earned critical attention for his portrayal of 10
10 I Hear America Singing I hear America singing, the varied carols I hear, Those of mechanics, each one singing his as it should be blithe and strong, The carpenter singing his as he measures his plank or beam, The mason singing his as he makes ready for work, or leaves off work, The boatman singing what belongs to him in his boat, the deckhand singing on the steamboat deck, The shoemaker singing as he sits on his bench, the hatter singing as he stands, The wood-cutter's song, the ploughboy's on his way in the morning, or at noon intermission or at sundown, The delicious singing of the mother, or of the young wife at work, or of the girl sewing or washing, Each singing what belongs to him or her and to none else, The day what belongs to the day--at night the party of young fellows, robust, friendly, Singing with open mouths their strong melodious songs. Questions: 1. Is it true that the speaker hears America singing? 2. hy does the speaker name all those different trades of work? A Noiseless Patient Spider A noiseless patient spider, I marked where on a promontory it stood isolated, Marked how to explore the vacant vast surrounding, It launched forth filament, filament, filament, out of itself, Ever unreeling them, ever tirelessly speeding them. And you O my soul where you stand, Surrounded, detached, in measureless oceans of space, Ceaselessly musing, venturing, throwing, seeking the spheres to connect them, Till the bridge you will need be formed, till the ductile anchor hold, Till the gossamer thread you fling catch somewhere, O my soul. Questions: 1. hat does the “noiseless spider” symbolize? 2. How could a noiseless patient spider touch “my soul”? III. Langston Hughes (1902-1967) Hughes was the first African American author to support himself through his writing; he produced more than sixty books. He earned critical attention for his portrayal of