Waterloo Bridge
Waterloo Bridge
Auld Lang Syne Should auld acquaintance be forgot and never brought to mind? Should auld acquaintance be forgot and days of auld lang syne? For auld lang syne, my friends, for auld lang syne, we'll take a cup of kindness yet, for auld lang syne. Should auld acquaintance be forgot and never brought to mind? Should auld acquaintance be forgot and days of auld lang syne? For auld lang syne, my friends, for auld lang syne We'll tak'a cup o'kindness yet For auld lang syne
Auld Lang Syne Should auld acquaintance be forgot and never brought to mind? Should auld acquaintance be forgot and days of auld lang syne? For auld lang syne, my friends, for auld lang syne, we’ll take a cup of kindness yet, for auld lang syne. Should auld acquaintance be forgot and never brought to mind? Should auld acquaintance be forgot and days of auld lang syne? For auld lang syne, my friends, for auld lang syne, We’ll tak’ a cup o’ kindness yet For auld lang syne
Waterloo Bridge
Waterloo Bridge
Read in Waterloo Bridge is a famous film that tells the story of two lovers caught up in the frantic pace of world War l. Myra and Roy meet and fall in love on the Waterloo Bridge during a London air raid. They are about to marry, but Roy is suddenly called back to the front. Having lost her job and believing Roy died in action, Myra finds no way but to turn to prostitution. But soon, she runs into Roy at Waterloo Station Although Roy loves her just as before, Myra couldn't get away with her past. At last she chooses death
Read In Waterloo Bridge is a famous film that tells the story of two lovers caught up in the frantic pace of World War II. Myra and Roy meet and fall in love on the Waterloo Bridge during a London air raid. They are about to marry, but Roy is suddenly called back to the front. Having lost her job and believing Roy died in action, Myra finds no way but to turn to prostitution. But soon, she runs into Roy at Waterloo Station. Although Roy loves her just as before, Myra couldn't get away with her past. At last she chooses death
Waterloo Bridge 1. Candle-it Love RoY: How nice you look MYRA: Thank you ROY: What do dancers eat? MYRA: Oh, dull things mostly Nutritious yet not fattening. ROY: Oh, no, not tonight. (To waiter) What could you suggest that would be particularly rich and indigestible? WAITER: The grouse is very nice, sir. ROY: And wine. It isn't against the rules for a dancer to drink a little light wine, is it? MYRA: Well, tonight ROY: Good, Number Forty, please
Waterloo Bridge 1. Candle-lit Love ROY: How nice you look. MYRA: Thank you. ROY: What do dancers eat? MYRA: Oh, dull things mostly. Nutritious yet not fattening. ROY: Oh, no, not tonight. (To waiter) What could you suggest that would be particularly rich and indigestible? WAITER: The grouse is very nice, sir. ROY: And wine. It isn't against the rules for a dancer to drink a little light wine, is it? MYRA: Well, tonight... ROY: Good, Number Forty, please
WAITER: Number Forty ROY: You're a strange girl, arent you? What's the good of anything? What's the good of living? MYRA: That's a question, too ROY: Oh, now wait a minute. I'm not going to let you get away with that. The wonderful thing about living is that this sort of thing can happen. In the shadow of a death raid I can meet you and feel more intensely alive than walking around in peacetime and taking my life for granted. MYRA: It's high price to pay for it. ROY: don ' t think so MYRA: do. Do people have to kill each other to give them a heightened sense of life?
WAITER: Number Forty. ROY: You're a strange girl, aren't you? What's the good of anything? What's the good of living? MYRA: That's a question, too. ROY: Oh, now wait a minute. I'm not going to let you get away with that. The wonderful thing about living is that this sort of thing can happen. In the shadow of a death raid, I can meet you and feel more intensely alive than walking around in peacetime and taking my life for granted. MYRA: It's high price to pay for it. ROY: I don't think so. MYRA: I do. Do people have to kill each other to give them a heightened sense of life?
ROY: But thats got nothing to do with people killing each other. Either you're excited about life or you're not. You know /'ve never been able to wait for the future MYRA: You should let the future catch up with you more Slowly. ROY: Oh, no, no, never. Temperament. I can't help it Look here, if we'd met in ordinary times in an ordinary way, we'd just about be telling each other what schools we went to. Were much further along, don't you think? MYRA: Are we? ROY: you know we are. Now,/'m too excited to eat. Let's dance MYRA: All right
ROY: But that's got nothing to do with people killing each other. Either you're excited about life or you're not. You know I've never been able to wait for the future. MYRA: You should let the future catch up with you more slowly. ROY: Oh, no, no, never. Temperament. I can't help it. Look here, if we'd met in ordinary times in an ordinary way, we'd just about be telling each other what schools we went to. We're much further along, don't you think? MYRA: Are we? ROY: You know we are. Now, I'm too excited to eat. Let's dance. MYRA: All right
Waterloo Bridge 1. Candle-lit Love ROY: How nice you look. MYRA: Thank you ROY: hat do dancers eat? MYRA: Oh, dull things mostly. Nutritious yet not fattening. ROY: Oh, no, not tonight. (To waiter) What could you suggest that would be particularly rich and indigestible? WAITER: The grouse is very nice, sir. ROY: And wine. It isn 't against the rules for a dancer to drink a little light wine, is it? MYRA: Well, tonight. ROY: Good, Number Forty, please
Waterloo Bridge 1. Candle-lit Love ROY: How nice you look. MYRA: Thank you. ROY: What do dancers eat? MYRA: Oh, dull things mostly. Nutritious yet not fattening. ROY: Oh, no, not tonight. (To waiter) What could you suggest that would be particularly rich and indigestible? WAITER: The grouse is very nice, sir. ROY: And wine. It isn't against the rules for a dancer to drink a little light wine, is it? MYRA: Well, tonight... ROY: Good, Number Forty, please
WAITER: Number Forty. ROY: You're a strange girl, aren' t you? What's the good of anything? What's the good of living? MYRA: That's a question, too ROY: Oh, now wait a minute. I'm not going to let you get away with that. The wonderful thing about living is that this sort of thing can happen In the shadow of a death raid I can meet you and feel more intensely alive than walking around in peacetime and taking my life for granted MYRA: It's high price to pay for it. RoY:I don 't think so MYRA: I do. Do people have to kill each other to give them a heightened sense of life?
WAITER: Number Forty. ROY: You're a strange girl, aren't you? What's the good of anything? What's the good of living? MYRA: That's a question, too. ROY: Oh, now wait a minute. I'm not going to let you get away with that. The wonderful thing about living is that this sort of thing can happen. In the shadow of a death raid, I can meet you and feel more intensely alive than walking around in peacetime and taking my life for granted. MYRA: It's high price to pay for it. ROY: I don't think so. MYRA: I do. Do people have to kill each other to give them a heightened sense of life?
ROY: But that's got nothing to do with people killing each other. Either you're excited about life or you're not. You know/'ve never been able to wait for the future MYRA: You should let the future catch up with you more slowly. ROY:Oh, no, no, never. Temperament. I can' t help it. Look here, if we d met in ordinary times in an ordinary way, wed just about be telling each other what schools we went to. Were much further along, don't you think? MYRA: Are we? ROY: You know we are. Now,/'m too excited to eat. Lets dance MYRA: All right
ROY: But that's got nothing to do with people killing each other. Either you're excited about life or you're not. You know I've never been able to wait for the future. MYRA: You should let the future catch up with you more slowly. ROY: Oh, no, no, never. Temperament. I can't help it. Look here, if we'd met in ordinary times in an ordinary way, we'd just about be telling each other what schools we went to. We're much further along, don't you think? MYRA: Are we? ROY: You know we are. Now, I'm too excited to eat. Let's dance. MYRA: All right
